in this scenario, if there's a villain and a victim, you can name the villain and name the victim. who are you? and as an actor, i knew, as a working class actor, there were lots of very well—meaning progressive film—makers, middle—class film—makers who would tell me about the world being villains and victims but, actually, what they weren't aware of was their own narcissism, that they were the heroes of the story, not the victims. because, as a victim, if you try to change their definition of you, if you try to step outside of their definition of you, you destroy their own narcissistic narrative. and so, and so, i... when i approached mitch to play mitch... and you talked to him quite a lot. i met up with him about three orfour times and i asked him for... he was my main source of research. i asked for photographs. i asked him to record a song for me. i asked for a playlist of his favourite music. i asked what aftershave he wore.

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