The writer-director thought stop-motion was a natural fit for the story of Pinocchio, but he also wanted to subvert its intended message — which is why he went back to a setting he explored in Pan’s Labyrinth and The Devil’s Backbone, of fascism in Europe between the wars.
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Italy , Collodi Pinocchio , Carlo Collodi , Netflix , Guillermo Del Toro , Del Toro ,
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