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sold out. you are the man that gave them _ sold out. you are the man that gave them the _ sold out. you are the man that gave them the power- sold out. you are the man that gave them the power to - sold out. you are the man that| gave them the power to destroy themselves _ gave them the power to destroy themselves. the _ gave them the power to destroy themselves-— themselves. the season's other bi . themselves. the season's other bi head themselves. the season's other big head oppenheimer- themselves. the season's other big head oppenheimer brought| big head oppenheimer brought great acclaim to its director christopher nolan, we will hear from him. christopher nolan, we will hear from him-— from him. when i looked at oppenheimer's _ from him. when i looked at oppenheimer's story, - from him. when i looked at oppenheimer's story, it - from him. when i looked at| oppenheimer's story, it was from him. when i looked at - oppenheimer's story, it was the oppenheimer�*s story, it was the most dramatic story i have ever encountered. but most dramatic story i have ever encountered.— encountered. but oppenheimer and barbie _ encountered. but oppenheimer and barbie were _ encountered. but oppenheimer and barbie were not _ encountered. but oppenheimer and barbie were not enjoyed i and barbie were not enjoyed everywhere. we look at the resistance to each in different parts of the world. translation: man or boys might make feminine gestures, they might want to put on now polish or earings and other gestures inspired by babi.— or earings and other gestures inspired by babi. everyone has a babi story — inspired by babi. everyone has a babi story and _ inspired by babi. everyone has a babi story and the _ inspired by babi. everyone has a babi story and the babi - a babi story and the babi stories are about us. we revisit a classic documentary exploring the origins of babi and the emergence of barbie—mania. and the emergence of barbie-mania.- and the emergence of barbie-mania. 1, , ., , ., barbie-mania. babi was the doll with breasts, _ barbie-mania. babi was the doll with breasts, and _ barbie-mania. babi was the doll with breasts, and legs. - barbie-mania. babi was the doll with breasts, and legs. also - with breasts, and legs. also the other— with breasts, and legs. also the other films _ with breasts, and legs. also the other films that - with breasts, and legs. also the other films that performed well in blockbuster season including tom cruise's mission impossible seven. this including tom cruise's mission impossible seven.— including tom cruise's mission impossible seven. this movie is an eic impossible seven. this movie is an epic adventure. _ impossible seven. this movie is an epic adventure. all -
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we'll have the headlines for you at the top of the hour, which is straight after this programme. tim minchin, the cabaret star who wrote matilda the musical. he grew up in western australia, started writing songs in his teens and made his name as a musical comedy performer at the 2005 edinburgh festival. mrtim minchin! after a series of live solo albums, tim was commissioned to write a stage adaptation of the roald dahl book, matilda. the show went on to win olivier and tony awards and has now been turned into a film. in this episode of this cultural life, the radio 4 podcast, he reveals his formative influences and experiences and how, despite fame and acclaim, bad reviews still hurt. no, i'm not good
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cultural life: tim minchin. applause cultural life: tim minchin. tim minchin, the cabaret star who wrote matilda the musical. he grew up in western australia, started writing songs in his teens and made his name as a musical comedy performer at the 2005 edinburgh festival. mrtim minchin! after a series of live solo albums, tim was commissioned to write a stage adaptation of the roald dahl book, matilda. the show went on to win 0livier and tony awards and has now been turned into a film. in this episode of this cultural life, the radio 4 podcast, he reveals his formative influences and experiences and how, despite fame and acclaim, bad reviews still hurt. no, i'm not good at taking criticism. you still take it personally? 0h, hugely, yeah.
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sustain his power base which is people with guns, but i think you make a good point, nicole, that prigozhin was quite the popular public figure probably to include among the young soldier draftees conscription into the russian army, and he was prepared to be at the front and he was striking out about corruption, directly attacking their own leadership of being stupid and corrupt and astonishing display of populism, and then, of course, as we watched him advance on moscow, he was largely unopposed by russian military units and it was greeted by great acclaim by the population, so putin will be very careful and he'll probably have little to say about it and others will have to claim it was an accident. by the way, we're assuming that prigozhin was on that aircraft. he's a wiley coyote, and i
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criminal conspiracy. it even talks about the issue in south georgia where some trump affiliated folks went in and took apart the voting machines in an attempt to show how the machines were flipping votes. that should never have happened. they should never have done that in that county. why is the fulton county d.a. looking into actions that happened in another part of the state and in other states? that is by definition in my view a federal issue that belongs in the jurisdiction of the d.o.j. >> bill: mark meadows is pushing for it. willis, you mentioned her. what do we need to understand about how she does her job? >> she is experienced in rico cases, which is what this is. the only one of these cases that is a rico case. she successfully prosecuted some atlanta public school teachers several years ago in a cheating scandal and got much acclaim. really set her up to run for
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- when we started doing "dream on," one of the things that hbo said to us was, "it's gotta be something that couldn't be on network tv." [upbeat music] - because hbo was driven by subscribers and not by commercials and selling advertising time, they had a different way of looking at success or failure. what they were looking for was critical acclaim. - you've watched letterman. you've watched leno. but what about larry? larry sanders, that is. he's the tv alter ego of comedian gary shandling. - gary shandling wanted to do a show that deconstructed the kind of show that "the tonight show" was. - just pretend like you're talking to me till we're off the air so it won't seem weird. - okay. all right. - so... - blah, blah, blah, blah, blah. - "the larry sanders show" was sort of cathartic, because in the world of "the larry sanders show," there was a network. - do you want me to [bleep] with your budget? is that what you want me to do?
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that actual critical acclaim to be accepted by, as an art form, we've seen that change most recently. can trickle, marfork to, it was awarded a pulitzer for his work with his work dm. there have been other recognitions a pep talk as an art form. can you speak about what prompted that new level of acceptance? >> i think there are few things. the biggest thing is simply following the money trail. once folks understood how lucrative hip-hop could be, you know, hip-hop in the late 1970s and 80s, you know, it was thought of as almost a kind of vanity project. it's like the surf music of the 19 80s. when folks recognize the economic power that was behind folks who are consuming hip-hop, and the money that could be made, it think our feelings but hip-hop shifted over that period of time. it's not surprising that in 2023, when we think about rap music, where essentially talking about pop music. we see elements, the five elements, six elements have, as you describe, it of hip-hop. this is revealed that almost
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