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The move confirmed to Spence the need for alternative, accessible spaces for artists and the growing demand for places like Yard, the art-house created by MAIA that opened its doors in April.
âThereâs a massive intersection between the communities who have been most harmed by the Ministry of Justice and the criminal justice system more broadly, and the communities the Birmingham Rep had the intention of engaging and reaching out to,â said Spence, adding that people of colour, disabled, LGBTQ+ and working-class communities are those most marginalised by the move.
The Rep has since said the impact of the âdifficult decisionâ made to secure the future of the theatre during Covid âhas been greater than we could have imaginedâ and has apologised to those hurt by the announcement, which saw court cases carried out at the venue from December 2020 to June 2021.
“I’ve never worked in those kind of conditions. It was like fire fighting. You had young people, as well as elderly people, who were just fighting for their lives.”
As a respiratory specialist, Dr Shumonta Quaderi’s life was turned upside down when Covid-19 tore through the UK last spring. The 37-year-old, from London, was worried about the virus “right from the beginning”. Beds in ICU were filling up, while ventilators were running critically low.
“We were totally inundated with numbers, but this was a completely new thing for us,” she says. “We had no idea what we were dealing with. Yes, the virus attacked the lungs, but it was attacking other parts of the body as well. We were all learning together, the best way to manage and treat it.”