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Giant review – medical ethics and 18th-century freakshows create a compelling new opera

Sarah Angliss and Ross Sutherland’s taut tale of an 18th-century ‘giant’ and the doctor who wants his body for research is vividly realised in this Aldeburgh festival opener, with tenor Karim Sulayman towering in the lead role

Britten Weekend, Snape review – diverse songs to mostly great poetry overshadow a problem opera

The Guardian view on the Wigmore Hall: happy 120th birthday | Editorial

Aldeburgh Music Creative Campus / Haworth Tompkins

© Philip Vile Text description provided by the architects. Aldeburgh Music s new creative campus at Snape Maltings opened to the public on May 9th. The project, part of a phased development of grade 2 listed 19th century maltings buildings at the edge of the Suffolk marshes, brings a range of derelict granaries and kilns into use as rehearsal and occasional public performance spaces grouped around a communal foyer. The centrepiece of the project is a new build orchestral rehearsal room, the Britten Studio, designed to complement the nearby concert hall (by Arup Associates, completed in 1970). The rehearsal room incorporates retractable seating for 350, enabling it to be used as a public venue.  A second space, the Jerwood Kiln Studio, was converted from a derelict kiln and can also accommodate public performances when required.  The central foyer and technical get in was formed from an existing granary sandwiched between older structures, its eccentric timber roof adapted and a n

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