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The Fahey/Klein Gallery opens an exhibition of photographs and screenprints by Miles Aldridge

a href= http://www.faheykleingallery.com target= _blank The Fahey/Klein Gallery /a is presenting “Miles Aldridge: High-Gloss”, an exhibi

ClampArt's first solo show with Laura Stevens on view in New York

a href= http://www.clampart.com target= _blank ClampArt /a is presenting “Laura Stevens | Him”—the artist’s first solo show wi

Tabitha Soren Traces the Trails We Leave on Touch Screens

Monadnock Ledger-Transcript - Art exhibit opens at the library

An exhibit of works by the Main Street Painters will be on display in the Daniels Room at the Hancock Town Library beginning Saturday, Aug. 27.Susie Choate, Diana Conrad, Heather Dahlberg, Dolores Gosselin, and Gay Hartman have been painting together...

Venus Over Manhattan opens its first solo exhibition of work by the Polish artist and cult figure Maryan

a href= https://www.venusovermanhattan.com target= _blank Venus Over Manhattan /a is presenting its first solo exhibition of work by the Polish ar

Scrapbooking workshop at the Farnsworth with Mj Viano Crowe

Scrapbooking workshop at the Farnsworth with Mj Viano Crowe

Gallery Wendi Norris announces publication of Alice Rahon's first monograph

Gallery Wendi Norris announces publication of Alice Rahon's first monograph Alice Rahon, La noche de Tepoztlan, 1964. Oil and sand on canvas, 27 1/2 x 33 7/8 inches (69.9 x 86 cm). Photo: Courtesy Gallery Wendi Norris, San Francisco. SAN FRANCISCO, CA .- Gallery Wendi Norris announced their publication of Alice Rahon, the first monograph on the French-Mexican painter-poet. This 128-page book is illustrated with highlights of her artwork from 1939 through the 1970s, forming a tangible, albeit limited, representation of her oeuvre. Alice Rahon includes an introduction by Wendi Norris as well as new research explored in three ground-breaking essays. The world’s foremost expert on Rahon’s life and work, Tere Arcq, proffers ten, formative touchstones to greater understand Rahon’s creative output in Alice Rahon: Tracing the Marvelous. Her essay has been updated and translated from Spanish in its entirety from its original publication in 2009, on the occasion of Rahon’s solo exhibition at the Museo de Arte Moderno in Mexico. Renowned Mexico City-based scholar and curator Daniel Garza Usabiaga makes Rahon’s work relevant to contemporary art practices and uncovers its relationship to Mexican modernism in From “Hourglass Lying Down” to “Sleeping Woman”: Alice Rahon, Mexico, and Dyn’s Dissident Surrealism. And Maggie Borowitz, a Fulbright-Hays scholar with a focus on art and feminism in Mexico City, explores the meaning and process of Rahon’s materiality in Figuring Differently: Surface and Substance in the Paintings of Alice Rahon.

Reconsidering sepia: Clarence White's photography at the Davis

Reconsidering sepia: Clarence White’s photography at the Davis Editorial Staff Clarence H. White, one of the pioneers of the pictorialist style in photography, is having his first retrospective in more than a generation, a traveling show now on view at the Davis Museum at Wellesley College. Drawing heavily on holdings at the Princeton University Art Museum and at the Library of Congress, Clarence H. White and His World, which originated at Princeton, surveys the period from 1895 to White’s death in 1925. His career spanned one of the most interesting periods in American photographic history, a crucible that encompasses Alfred Stieglitz’s Photo-Secession, the fledgling commercial era, and the rise of documentary “straight photography” in the twenties.