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Who did it better, Poussin or Rubens? A great art argument

What’s behind the battle between fans of two famous 17th century painters? Is it fair to call Nicolas Poussin’s work “cold”or even “ghastly”?

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Who did it better, Poussin or Rubens? A great art argument

Who did it better, Poussin or Rubens? A great art argument
brisbanetimes.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from brisbanetimes.com.au Daily Mail and Mail on Sunday newspapers.

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Les choix culture du « Point » : fantasmes au cinéma ou folle passion à l'abbaye ?

Que faire chez vous ou ailleurs ? À Fontevraud, Angoulême ou Paris ? Films, livres, expos, séries, musique et scènes… On aime et on vous le dit.

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A Balzac story has inspired famous artists — and a pretentious movie

A Balzac story has inspired famous artists — and a pretentious movie
brisbanetimes.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from brisbanetimes.com.au Daily Mail and Mail on Sunday newspapers.

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A Balzac story has inspired famous artists — and a pretentious movie

A Balzac story has inspired famous artists — and a pretentious movie
theage.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theage.com.au Daily Mail and Mail on Sunday newspapers.

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Juxtapoz Magazine - The Duality of a Moment: A Conversation with Jordy Kerwick

The Duality of a Moment: A Conversation with Jordy Kerwick Julien Cadet // March 13, 2021 - April 03, 2021 March 12, 2021 | in Painting About one year ago, during the heat of global lockdowns, Jordy Kerwick won our hearts with a show entitled The website show — an honest approach to an imaginary show, as a response to the ever-present "online shows" and "online viewing rooms". And we're looking back at that moment as we're seeing him opening his first-ever solo show in Paris on March 13th at Julien Cadet gallery. In reality, Kerwick won our hearts much earlier than that. With his non-compromising, intuitive, and straight-up oddball visuals, his exhaustive approach to creative practice, and continuous, unstoppable output. An Australian living with his family in the French countryside for the last couple of years has found his new call and shelter from the world problems at his studio, where he kept producing work that slowly started getting global recognition. The myth-like images of double-headed rugs, mermaids, unicorns, tigers, serpents, houses, flower pots, and books, are part of his lexicon he has been building and quite literally carving into his canvases. Driven by the urge to make, regardless of the format, scale, or materials available, his fantastical work became a symbolic reflection of his family and/or home-centered life.  And after recent presentations in the US and Greece, we couldn't miss the opportunity to talk with him about the milestone Parisian debut that will be presented in two chapters at Julien Cadet gallery between March 13 and April 30th.

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Albert Gleizes Biography, Life & Quotes

Childhood Albert was the son of a successful fabric merchant, Sylvan Gleizes (himself a keen amateur painter). His maternal uncle was Léon Commerre, an academic painter who won the Prix de Rome in 1875, while his father's brother, Robert Gleizes, was a successful collector-dealer specializing in eighteenth century paintings. The Gleizes' lived a comfortable life in Courbevoie in the Paris suburbs. Albert was very close to his two sisters, Suzanne and Mireille (he had an elder brother who sadly died in infancy), and they frequently appeared in his first paintings. Albert did not take to academic life and often played truant from his bourgeois school in

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