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Readers, today you blew through our goal of 325 donations with 397. I am very grateful. (Of course, if you came in late, you can still join in!) A reader wrote:
I cannot thank you and Yves enough for the daily education I get from the Naked Capitalism site, and from the comments too.. I appreciate nothing more than folks that are pretty much straight down the middle, intellectually honest in a way that sees through the clutter (BS, or horsefeathers as my grandfather would say, the gentleman he was), and challenges me to rethink so much of what I thought I knew as a younger man.
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âNever pay for anything you can get for free,â Korean immigrant Jacob Yi (Steven Yeun) tells his son David (Alan Kim) after choosing where to dig a well on their farm in early 1980s rural Arkansas. Itâs the kind of fatherly advice thatâs familiar to many, but for children of immigrants like David, it carries a distinctive dimension: your parentsâ thriftiness is a point of pride, a sign that they have outsmarted the system.
Yet Lee Isaac Chungâs acutely observed family drama Minari doesnât dwell on this moment, or spell out its deeper resonances for a white audience â rather than exploring the arduous process of assimilation, the trauma of racism or a feeling of not belonging, the filmâs narrative focuses on its wholly believable charactersâ desires and their conflicts with each other.
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For three hours I've been thrusting my body past the breaking waves on the northernmost beach in Tel Aviv, where the surfers go, and the lifeguards keep calling—little girl!
Little girl, come back!—when I move just outside the border marked by red and white plastic lines tied to metal poles sunk into the sea floor.
—from "Breaking," Volume 61, Issue 3, (Fall 2020)
We asked Marcela Sulak the same 10 Questions we ask our other contributors. She provided the following interview.
Tell us about one of the first pieces you wrote.
Roses are red.So’s the Indian Blanket.
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