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Dido and Aeneas, Ustinov Studio, Theatre Royal, Bath, review: a stylish production that doesn't quite catch fire

Purcell's opera is here turned into a meditation on loss, grief and madness, with a strong cast but mixed results

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American LA based artist presents Visions in Motion Art Installation at the DMZ in South Korea

Los Angeles-based Poetic Kinetics’ artist Patrick Shearn is presenting Visions in Motion, a large-scale, outdoor, public art installation at the

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The week in classical: Samson et Dalila; Lise Davidsen & Freddie De Tommaso with James Baillieu

Strength comes in many forms in the Royal Opera’s revelatory new Samson et Dalila; and two star singers in the ascendant hit all the high notes

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Samson et Dalila, Royal Opera review – from austerity to excess, with visual rigour and aural beauty

Peerless mezzo and conductor, promising tenor at the heart of this hard-to-stage hybrid. Opera review by David Nice

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A new Samson et Dalila that puts its faith in wild colour and lethal desires

This colourful staging of the great Saint-Saëns opera is energetic and visually impressive, if a little lacking in interpersonal chemistry

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