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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections. While hearing new music played out by your favourite selectors has been put on hold as a result of the coronavirus pandemic, it’s never been easier, or more important, to support the artists and imprints releasing tracks, albums, EPs and comps in the midst of all the madness. In lieu of opportunities to discover new records on the dancefloor, Selections will give you the chance to nab sounds from the crates of tastemakers, and support the people behind them while you’re at it. Win-win, right?
GermanyGermanPhilipp-otterbachGalcher-lustwerkVivan-kochItalo-discoGerd-jansonEating-darknesRunning-backஜெர்மனிஜெர்மன்Now you too can have an ass like Mickey. Disney
Mickey Mouse? Doing calisthenics? The breakout success of home workout videos in the early '80—the most apparent being
Jane Fonda's Workout in 1982—inspired Disney to take the trend into its own mouse mittens. In 1983, Disney launched The Disney Channel, and it tapped dancer Kellyn Plasschaert to lead an early morning, Jane Fonda-esque workout show for kids titled
Mousercise. Disney characters like Mickey and Goofy joined a child cast during their workouts, and in between exercising, the show featured short sketches with the characters.
Mousercise also spawned hit soundtracks (which
GermanyUnited-statesCanadaHong-kongFranceGermanCanadianStanley-fungDan-mahownyJohn-shumJeremy-ironsBrian-malony It might just be a quirk of historical symmetry combined with a dash of wishful thinking but there is a school of thought which says the 2020s are going to roar as loudly as the 1920s did. The comparisons between then and now are certainly appealing: a century ago the world emerged from an economic downturn and a pandemic to an era of modernisation and progress shaped by technology and a sense of optimism. It gave us Futurism, fridges, television and the Jazz Age. If the forecasters are right, it may be about to happen all over again and if it does the Bright Young Things of the New Roaring Twenties are going to need nightclubs to party in just as much as their sharply-dressed forebears did. How appropriate, then, that the first exhibition to be held at the V&A Dundee when it re-opens on May 1 is a survey of nightclubs and nightclub design which, though it makes a gesture to nostalgia, also peers into the future. And how ironic that the first cultural sector to emerge from lockdown should choose to celebrate the one which looks like being last to re-open, the nightclub.
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