The interesting set, bare trees quickly convincing us of the November setting of the play, is by Liz Cooke, imaginative lighting by Paul Anderson and clever sound and music by Jon Nicholls.
Tim Firth used to think his 1992 comedy Neville’s Island was all about being male; after a female colleague suggested a gender-swapped version, however, he realised it was really all about being human. Interview by Mark Fisher