adolescence, it s all disposable. and what are we doing to a generation that has to be adult at a younger and young are age? there are so many incredible people in the movie. a lot of careers get launched. judge reinhold to phoebe cates and jennifer jason lee. a cast of soon-to-be stars. he gives the performance that everyone walks out of the theater and says oh, my god, sean penn. he turned into awesome, gnarly, all the other classic words of the 80s. why don t you get a job? what for? you need money. all i need are some tasty waves, cool buds and i m fine. tell you a couple things about myself. i m 19, been oversaeas for a
his element but out of his shoes. i don t know what s like to throw a chair down an elevator shaft. you see myself. this person who is flawed but can overcome it, which i think is a narrative that we all have about ourselves. if push came to shove, i would show up. alan rickman s performance as hans gruber is one of the key movie performance of the 80s, because of the idea that the villain could be intellectual. it wasn t a beefy villain who beat up our hero but was a guy who our hero had to outthink. a lot of action stars think it s cool to show no fear. to me, that s not a courageous person, that s a stupid person. the courageous person is is tthe who has fear but goes through it anyway. it isn t the size of the
peers. don t you forget about me there weren t a lot of movies that spoke to teenagers. and it s just really surprising. because who doesn t want to see this incredible period of time in a person s life where they re just changing so rapidly, and to see something that you relate to. i think that s really why the john hughes films are still so important. i just remember thinking, how does this grown-up know everything about all of us. it s like he looked inside of all of us.
it will be important for me to play something outside of that role and crazy for dustin who haveman hoffman to be terminator or rambo. there was a lot of ideas of returning to traditional notions of masculinity after the sensitive 70s, but these things go in cycles. and i think by the late 80s, we were ready for an action hero who was a little more sensitive. do you have a chance against us, mr. cowboy? yippy kai aye, mother [ bleep ]. it s a heist movie where the heist makes sense. you have john mcclain, who is is not a super hero, a regular new york cop, who is is nnot only of
out in 1 t982. a lot of people were rooting for e.t. to win. but fantasy and sci-fi don t usually win oscars. what wins oscars is epic. amadeus is genius. i composed on a melody of yours. oh, really? which one, i m flattered? the protagonist in the movie is not mozart. it is actually deficient. he s not a great artist. he doesn t have great inspiration. he s jealous of mozart who does. shouldn t it be a bit more or this in this.