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Using images from the David V. Tinder Collection of Michigan Photography, this article examines the ways Black Americans from the 19th century used photography as a tool for self-empowerment and social change.
In that spirit, this article – using images from the David V. Tinder Collection of Michigan Photography at the William L. Clements Library at the University of Michigan – examines different ways Black Americans from the 19th century used photography as a tool for self-empowerment and social change.
Black studio portraits Cabinet card portraits of African Americans from the David V. Tinder Collection of Michigan Photography. Left: Man with Pipe, circa 1887. Right: Woman in Silk Dress, circa 1888. William L. Clements Library
Speaking about how accessible photography had become during his time, Douglass once stated: “What was once the special and exclusive luxury of the rich and great is now the privilege of all. The humblest servant girl may now possess a picture of herself such as the wealth of kings could not purchase fifty years ago.”
Preservation Chicago called on the city and the Chicago Park District to seek a national park designation for Chicago's entire lakefront, which topped the group's new list of Chicago's most endangered historic places.
The city is poised to tear down the historic Phyllis Wheatley Club and Home at 5128 S. Michigan Ave., an early 20th century settlement house named for the former slave who was the first African American ever to publish a book of poetry, and third American woman ever to do so. The home was established by suffragettes in the early 1900s, to aid African-American women coming from Down South during the Great Migration.
Anthony Vazquez/Sun-Times
When Ariajo “Joanne” Tate and her husband bought a gray limestone in 1989, they had no idea their new Bronzeville home had once been the Phyllis Wheatley Club and Home — a historic settlement house established by Black suffragettes in the early 1900s.