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The 2023 Seoul International Writers Festival: Crossing the Bridge of Language

[Herald Interview] Andrew Porter on renewed attention in Korea for Theory of Light and Matter

American writer Andrew Porter said he is truly surprised and delighted that his debut work, "The Theory of Light and Matter," has resonated with Korean readers after all these years. Porter’s debut work, a collection of stories published in 2008, won several awards, including the Flannery O'Connor Award for short fiction. While it was published in Korea in 2011, it wasn't until 2019 that the.

Eun Hee-kyung, Andrew Porter explore words of short stories, novels

On the afternoon of Sept. 10, the third day of the festival, Eun Hee-kyung from South Korea and Andrew Porter from the US met. Although they had never crossed paths before, these literary talents shared a profound appreciation for the written word. Both authors, despite being from different corners of the globe, shared a common thread in their literary portfolios: a dedication to crafting both full-length novels and .

Writers bring their literary worlds, imaginations to life on Nodeulseom

The annual Seoul International Writers’ Festival, organized by the Literature Translation Institute of Korea (LTI Korea) kicked off Sept. 8, bringing together 24 Korean and international writers on Nodeulseom, an artificial islet on the Han River in Seoul, for a six-day festival. Under the theme of “Crossing the Bridge of Language,” the 2023 SIWF responded to the heightened sense of isolation and di.

From words to pansori and music : Artistic performances inspired by literature performed at SIWF

Literary works served as an inspiration for various forms of three-dimensional readings, folk songs and "pansori" during the festival. The beauty of literature is that literary worlds can be expanded and reinterpreted into different forms, inspiring artists working in various genres. Two days of evening performances on Sept. 9 and 10 included a pansori performance, a music concert and a reading performance .

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