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oppenheimer and barbie have been huge hits in north america and europe. in fact, one hollywood studio executive boasted — perhaps a little arrogantly — that with barbie, the film has been working well everywhere. well, not quite because in some parts of the world, both barbie and oppenheimer have met with quite a lot of resistance, as noah gittell has been finding out. barbie has garnered significant controversy in the middle east, where its feminist and lgbt themes have made it a target of government censors. the film has been pulled from cinemas in algeria and banned outright in kuwait after playing there for a month. in lebanon, the minister of culture recommended a ban of barbie, claiming it promotes homosexuality and sexual transformation — a reference to a barbie character in the film played by trans actor hari nef. at the end of the day, we're all barbie. some endorse the minister's recommendation. they feel that barbie could have a negative influence
cheering 0ppenheimer and barbie have been huge hits in north america and europe. in fact, one hollywood studio executive boasted — perhaps a little arrogantly — that with barbie, the film has been working well everywhere. well, not quite because in some parts of the world, both barbie and 0ppenheimer have met with quite a lot of resistance, as noah gittell has been finding out. barbie has garnered significant controversy in the middle east, where its feminist and lgbt themes have made it a target of government censors. the film has been pulled from cinemas in algeria and banned outright in kuwait after playing there for a month. in lebanon, the minister of culture recommended a ban of barbie, claiming it promotes homosexuality and sexual transformation — a reference to a barbie character in the film played by trans actor hari nef. at the end of the day, we're all barbie. some endorse the minister's
films with a worldwide box office of over half $1 billion, critical acclaim and oscar talk, christopher nolan has once again proved himself to be a filmmaker that can deliver big ideas in big films to big audiences. oppenheimer and buddy have been huge hits in north america and europe and one hollywood studio executive posted perhaps a little arrogantly but with barbie the film has been working well everywhere. not quite because in some parts of the world, barbie and oppenheimer have met with quite a lot of resistance, as noah cattell has been finding out. barbie has garnered significant controversy in the middle east where it's feminist and lgbt themes have made it a target of government sensors. the film has been pulled from cinemas in algeria and banned outright in kuwait after playing there for a month. in lebanon, the minister of culture recommended a ban of barbie, claiming it
with a worldwide box office of over $500 million, critical acclaim and oscar talk, christopher nolan has once again proved himself to be a filmmaker that can deliver big ideas in big films to big audiences. cheering. 0ppenheimer and barbie have been huge hits in north america and europe. in fact, one hollywood studio executive boasted — perhaps a little arrogantly — that with barbie, the film has been working well everywhere. well, not quite because in some parts of the world, both barbie and 0ppenheimer have met with quite a lot of resistance, as noah gittell has been finding out. barbie has garnered significant controversy in the middle east, where its feminist and lgbt themes have made it a target of government censors. the film has been pulled from cinemas in algeria and banned outright in kuwait after playing there for a month. in lebanon, the minister of culture recommended a ban of barbie, claiming it promotes homosexuality and sexual transformation — a reference to a barbie character in the film played by trans actor hari nef. at the end of the day, we're all barbie.
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and we reached out to felicia henderson. - hey, baby. - [pearlena] and a lot of these stories or just stories that she was able to generate from her own life. - it's hard to be the first. it's hard to be a part of a group of the first. i think that as black people, we deserve to be seen as three dimensional characters. we deserve for you to see us with all of our frailties. i don't think that that's negative, i think it's just human. - i'm so sorry. come here. - it was also a show where i was the network executive. i was a black network executive. we had a black studio executive. we had black executive producers, black writers, and black cast. and we all understood at that time that, that was a situation that we may, none of us may ever get to be in again. - a lot of times, you don't know when you're making history, you are just in the moment to do the right thing and the best thing that you can at the time.
>> baby, can you take her >> when we were at showtime we decided we wanted to adopt "soul food" into a tv show we thought it was important from a cultural perspective to have someone that can tell the stories ethically, we reached out to felicia henderson. a lot of the stories were stories she generate friday her own life. >> it is hard to be the first. you know, it is hard to be part of a group of the first. i think that as black people we deserve to be seen as three dimensional characters. we deserve for you to see us with all of our frailty. i don't think it is negativity. i think it is human. >> come here. [crying] >> it was a show where i was the network executive. i was a black network executive. we had a black studio executive. we had black executive producers, black writers, black cast. we all understood at that time
. you are walled in. and there is no tale of revenue to follow. and there's not even based on what it used to be based off, which was eyeballs and ad dollars. now it's based off of subscriptions. so you don't even get the amount of episodes that we used to get. i used to do 28 episodes. now you're lucky if you get ten. eight. how do you make a living on that? >> i hear you on the changing nature of the industry. it bears mentioning that the writers guild is also striking for many of the same reasons, the disruption in the industry, the studios often say the disruption in history is making them rethink the revenue streams. i mean, how do you see your goals and the rioters goals dovetailing? do you think that your strike is going to help them achieve their ends? i know there has been some reporting at least from one studio executive who said the studios are determined to,
writers guild is also striking for many of the same reasons, the disruption in the industry, the studios often say the disruption in industry is making them rethink the revenue streams. i mean, how do you see your goals and the writers'goals dovetailing? do you think that your strike is going to help them achieve their ends? i know there has been some reporting at least from one studio executive who said the studios are determined to, quote, break the writers guild of america. are you guys gonna be there to support them? are you working hand and fist? >> let me just say that for anybody to say that shows the arrogance and complete disregard in this respect for a community that contributes so much to the industry upon which they prosper. it's just unconscionable, the complete disrespect to the people that contribute so much.