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An Exercise in Modal Interplay: Louis Vierne’s Carillon de Westminster February 24, 2021
Jonathan Bezdegian
Jonathan Bezdegian earned his Doctor of Musical Arts degree in organ performance from University of Washington, Seattle, in 2018. He is a lecturer in music and director of the organ scholar program at Assumption University, Worcester, Massachusetts. He also serves as director of liturgical music at Christ the King Parish in Worcester, Massachusetts, and is dean of the Worsceter Chapter of the American Guild of Organists.
Louis Vierne’s “Carillon de Westminster” from the Troisième Suite, opus 54, of his
24 Pièces de Fantaisie is a favorite of organists and audiences alike. While many play this piece, how many take the time to study the unique harmonies in this music? Organists view Vierne’s compositional style as highly chromatic. Yes, this is certainly true. However, how does one analyze Vierne’s music? There are very few studies pro
In episode 7 of Good in Practice, host Caroline J. Heller is joined by Greenberg Traurig’s CEO Brian L. Duffy and its Co-Presidents Bradford D. Kaufman and Ernest LaMont Greer. The four discuss the critical role pro bono plays in times of crisis, especially in light of COVID-19; personal experiences that drive Brian, Brad, and Ernest to prioritize pro bono at the firm; Greenberg Traurig’s collaboration with clients and the community on pro bono work; and why these firm leaders focus on “doing well by doing good.”
Good in Practice tells the powerful stories of the good pro bono can achieve, highlighting the work of Greenberg Traurig attorneys, staff, and clients. The goal is to encourage all practitioners to assist undeserved and vulnerable communities by providing much-needed legal counsel on a volunteer basis. Caroline Heller, chair of Greenberg Traurig’s Global Pro Bono Practice, is the host.