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Crystal Bridges joins observance of Tulsa Race Massacre centennial and commits to being an antiracist institution

Railyard Park Signifies a Small-Town Renaissance in Northwest Arkansas

Westmoreland Museum exhibition conveys experiences of southern U S border

Shirley McMarlin | Tribune-Review Detail from the Richard Misrach photograph, “Effigy #2, near Jacumba, California,” included in “Border Cantos | Sonic Border” at The Westmoreland Museum of American Art. Shirley McMarlin | Tribune-Review A tattered flag used to mark a water station along the U.S. southern border is part of “Border Cantos | Sonic Border” at the Westmoreland Museum of American Art.   TribLIVE s Daily and Weekly email newsletters deliver the news you want and information you need, right to your inbox. Richard Misrach, a photographer based in the Bay Area of California, has been capturing images along the southern U.S. border for about 50 years.

Crystal Bridges: Your Summer Road Trip Destination

Breonna Taylor show points art museums to a faster track

Breonna Taylor show points art museums to a faster track Amy Sherald (b. 1973), Breonna Taylor, 2020. Oil on linen 137.2 x 109.2 cm / 54 x 43 inches. © Amy Sherald. Courtesy the artist and Hauser & Wirth. Photo: Joseph Hyde. by Holland Cotter (NYT NEWS SERVICE) .- People talk a lot about getting back to pre-COVID normal. But our traditional art museums can forget about that. After a year of intense racial-justice reckoning, a paralyzing pandemic and crippling economic shortfalls, aging hidebound institutions are scrambling just to stay afloat. And the only way for them to do so is to change. Strategies for forward motion are needed. One is in play here at the Speed Art Museum, in the form of a quietly passionate show called “Promise, Witness, Remembrance,” which might, with profit, be studied by other institutions in survivalist mode.

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