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EDITORIAL: Ten years ago

EDITORIAL: Ten years ago
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Immersive exhibition with 10 distinct art experiences celebrates museum s tenth anniversary

Immersive exhibition with 10 distinct art experiences celebrates museum s tenth anniversary Alice Neel, Hugh Hurd, 1964. Oil on canvas, 40 1/4 × 30 1/4 in. Crystal Bridges Museum of American Art, Bentonville, Arkansas. BENTONVILLE, ARK .- On November 11, 2011, Crystal Bridges Museum of American Art opened its doors for the first time. Over the course of a decade, the museum has greeted over five million visitors from around the world to enjoy world-class art, architecture, and nature. This year marks a decade since Crystal Bridges opened, and the museum is recognizing this milestone with a new exhibition celebrating its collection and community. Crystal Bridges at 10 is an immersive exhibition with 10 distinct art experiences celebrating the museum’s collection and the local community one decade into the museum’s lifetime. Primarily drawing from the museum’s collection, the exhibition features 130+ artworks, presenting crowd favorites in new ways, showcasing works never bef

A redesign of the Hirshhorn Sculpture Garden prompts questions about artistic vision

Lester Collins s Sculpture Garden at the Hirshhorn Museum in Washington, DC Photo: Ted Booth, 2010 A recent opinion piece about the controversial Hiroshi Sugimoto-led revitalisation of the Hirshhorn Museum’s Sculpture Garden omitted essential details about its historic significance and the critical need for maintenance and management. Most importantly, the Sculpture Garden, located on the National Mall in Washington, DC, and designed by architect Gordon Bunshaft (in 1974) and landscape architect Lester Collins (in 1981), is eligible for listing in the National Register of Historic Places and is part of the National Mall Historic District. Federal law aims to safeguard such historic design, making every attempt to avoid and/or limit “adverse effects”. Consequently, the op-ed’s attempt to provide a “larger context [for] the changing role of museums” by citing a number of global projects, including the Crystal Bridges Museum of American Art,

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