North Carolina Museum of Art Hires Lauren Applebaum as Jim and Betty Becher Curator of American Art
RALEIGH, North Carolina
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The North Carolina Museum of Art (NCMA) has announced the appointment of Lauren Applebaum as curator of American Art. Applebaum previously worked at the NCMA on the 2018 exhibition
The Beyond: Georgia OâKeeffe and Contemporary Art as a GSK Curatorial Fellow in American Art. She will start her position Monday, May 3. She will be responsible for researching and expanding the NCMAâs American art holdings and as part of the curatorial team will strive to have the collection reflect multiple perspectives and varying dimensions of diversity. In addition she will organize special exhibitions focused on a range of subjects and themes in American art.
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A UA Little Rock student has been honored for her work in creating an exceptional curriculum unit for gifted and talented education.
Krista Hinton, a graduate student in gifted and talented education at UA Little Rock as well as the K-12 gifted and talented coordinator for Lavaca School District, received an AGATE Curriculum Award.
The AGATE Curriculum Award highlights the importance of differentiated curriculum and recognizes outstanding curriculum units. An award of $500 is presented to the educator’s gifted and talented program.
“The AGATE Curriculum Award, to me, is the pinnacle of academic achievement,” Hinton said. “To be recognized on a state level for an original unit is an honor that very few teachers have the privilege to experience. The award will always hold a special place in my heart.”
Shattering the Glass Ceiling: Curator Lauren Haynes on Working to Forge a Fuller Story of American Art
The curator shares the best advice she ever received, and her tricks for managing a healthy work-life balance.
April 23, 2021
Lauren Haynes, the Patsy R. and Raymond D. Nasher senior curator of contemporary art at the Nasher Museum of Art at Duke University. Photo by Rana Young.
Welcome to Shattering the Glass Ceiling, a podcast from the team at the Art Angle where we speak to boundary-breaking women in the art world and beyond about how art has shaped their lives and careers.
In the first episode of this four-part podcast mini series, Artnet News executive editor Julia Halperin spoke to Lauren Haynes, the director of artist initiatives and curator of contemporary art at the Crystal Bridges Museum of American Art and the Momentary in Arkansas. In June, she will take on the role of Patsy R. and Raymond D. Nasser senior curator of contemporary art at the Nasher Museum of
Republican culture war against the tiny number of transgender children.
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It chooses for context the generally progressive corporate policies of Bentonville-based
Walmart and the huge sums the Walton family has spent to make Bentonville a mecca for the up-and-coming, the better to attract quality workers to Walmart and other major businesses in booming Northwest Arkansas.
The message from the Arkansas legislature anti-woman, anti-voter and, particularly, anti-LGBT with an emphasis on persecuted trans children isn’t exactly helping the branding. The article by Katy Henriksen begins:
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Until recently, Bentonville was a small sleepy town inside a dry county situated in the northernmost corner of the state of Arkansas. Thanks to Walmart heirs, it’s quickly being transformed into an arts and cultural destination that began in 2011, when Alice Walton opened Crystal Bridges Museum of American Art. With a net worth of currently $66.3 billion, she has
Berry Campbell is pleased to present
Lilian Thomas Burwell: Soaring. This exhibition marks the esteemed Maryland-based artist’s first solo exhibition in New York. The exhibition title,
Soaring, is an homage to the late Dr. David Driskell’s essay,
Soaring With a Painterly Voice, written on the occasion of Burwell’s 1997 survey exhibition at Hampton University Museum, Virginia. Driskell described Burwell’s work as, “transcendental in showing stylistic diversity of earthly beauty and cosmic vision.”
Lilian Thomas Burwell: Soaring, organized by guest curator, Melissa Messina, highlights the dynamic transition in Burwell’s abstract visual language from two-dimensional painterly planes to three-dimensional sculptural forms. Burwell’s paintings from the late 1970s and early 1980s employ a distinctly bold palette and reference organic forms found in natural floral and earthly phenomena. The exhibition centers on the painting