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CECA announces 2020-21 Tennessee Artist Fellows

Clarksville Now CLARKSVILLE, Tenn. – The Center of Excellence for the Creative Arts (CECA) is pleased to announce Benjy Russell, from Dowelltown, and Karen Seapker, from Donelson, as the 2020-21 recipients of the Tennessee Artist Fellowship. The CECA Tennessee Artist Fellowship celebrates contemporary art and supports the continued creative work of exceptional Tennessee artists. Unlike other fellowships, nominations and applications from artists are not solicited. A committee of APSU faculty compiles a list of outstanding artists from across the state and selects the fellowship recipient. Through the generous support of CECA, the selected artists receive $5,000 to aid in the creation of new artwork and $1000 for an artist lecture.

50 Best Places to Travel in 2021 for a Much-needed Vacation

1. Alaska’s Coast Two adults on stand up paddle board (SUP) observe hole melted in iceberg on Bear Lake in Kenai Fjords National Park, Alaska. Image zoom Credit: Getty Images In the midst of the pandemic, Alaska s entire May to September cruise season was cancelled in 2020. That left some 1.3 million travelers unable to board ships to experience thunderously calving glaciers, frolicking humpback whales, lively gold rush towns, and fascinating Alaska Native arts scenes. Tourism providers missed serious income. Cruise lines and local officials express muted optimism about 2021, which may be the best year to see Alaska given that cruise ships are unlikely to sail full and coastal towns won t have their typical crowds even post-vaccine rollout. Or skip the civilization part: Vast national parks such as Glacier Bay, Misty Fjords, and Kenai Fjords are best reached by

Clarksville, TN Online APSU Center of Excellence for the Creative Arts announces 2020-21 Tennessee Artist Fellows

Karen Seapker’s The Sower The CECA Tennessee Artist Fellowship celebrates contemporary art and to support the continued creative work of exceptional Tennessee artists. Unlike other fellowships, nominations and applications from artists are not solicited. A committee of APSU faculty compiles a list of outstanding artists from across the state and selects the fellowship recipient. Through the generous support of CECA, the selected artists receive $5,000 to aid in the creation of new artwork and $1000 for an artist lecture. “Since APSU is the Center of Excellence for the Creative Arts for the entire state of Tennessee, we wanted to find a way to support artists state-wide,” said Barry Jones, dean of the College of Arts and Letters at APSU. “There is an incredible number of amazing artists here, but unfortunately there isn’t much financial support for them. We hope that this fellowship helps a Tennessee artist maintain their practice and to know that we support what they ar

Yale Chief Executive Leadership Institute Presents Doug McMillon of Walmart with the Legend in Leadership Award

Yale Chief Executive Leadership Institute Presents Doug McMillon of Walmart with the Legend in Leadership Award December 15, 2020 Doug McMillon, president and chief executive officer of Walmart Inc., will accept the Legend in Leadership Award of the Yale School of Management’s Chief Executive Leadership Institute today during the Yale CEO Summit, held virtually over Zoom.  The award will be presented to Mr. McMillon by Marillyn Hewson, executive chair, Lockheed Martin Corporation; Kenneth Frazier; chairman, president, and CEO, Merck & Co.; and Indra Nooyi, chair and CEO (2006-2018), PepsiCo. Summit organizer Jeffrey Sonnenfeld, senior associate dean for leadership studies at the Yale School of Management, commented:

signs and symbols opens a photography exhibition by Jen DeNike and Pola Sieverding

signs and symbols opens a photography exhibition by Jen DeNike and Pola Sieverding Installation view. NEW YORK, NY .-signs and symbols is presenting we tell ourselves stories in order to live, a two-person lens-based photography exhibition by Jen DeNike and Pola Sieverding. The exhibition reflects on storytelling; the artist’s lens becomes the ink that captures her fantastic stage and experiences in time. “We tell ourselves stories in order to live. We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the ideas with which we have learned to freeze the shifting phantasmagoria which is our actual experience.” —Joan Didion, The White Album, 1979.

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