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Найдена связь между размером мозга и продолжительностью зевка « Русский Еврей
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This post is an advertorial written by a company that serves the museum field. The views, opinions, and positions expressed by the authors and those providing comments are theirs alone and do not necessarily reflect the views, opinions, or positions of AAM or its employees.
As the museum industry gradually emerges from the difficult challenges of the past year, Frank Europe GmbH (Frankeurope.com) is making a commitment to the vibrancy and resilience of the US cultural community with the establishment of Frank America.
The Met Cloisters,
The Case for Optimism
According to Philippe Plessers, who recently assumed executive leadership as Managing Director of the Germany-based organization along with Thomas Kurz, CFO: “We believe the current moment is the right time to put in place an American company. We want to be there to support the projects that are moving to the front and to serve the pent-up demand we anticipate in the world’s most dynamic cultural market.”
Openings and Closings: May 5 to May 11 Elizabeth Lanza
Lapin à vent (wind rabbit) by François-Xavier Lalanne (1927–2008), 1994, 2004. Private Collection; courtesy of the Clark Art Institute, Williamstown, Massachusetts, photograph courtesy of Nicholas Dubois / Art Digital Studio © Sotheby’s.
Clark Art Institute, Williamstown, Massachusetts
Opening this week at the Clark is the exhibition
Nature Transformed. The show will be the first in an American art museum in over forty years for the work of Claude and François-Xavier Lalanne.
Les Lalanne, as they were known, are beloved by many for their whimsical, functional, animal form sculptures such as a hippopotamus-shaped desk and sheep-shaped benches. After so many gloomy months, these fun, fantastic artworks are sure to put a smile on your face, so reserve your tickets here.
Who hasn’t had moments of self-examination during the past year?
“We had wonderful resources, and no way of sharing them,” says Cape Ann Museum’s director, Oliver Barker, recalling the time last spring when museums worldwide were forced to close. “Prior to the pandemic, we were analog,” he says. “We needed to find a way to use art, past and present, to engage people. We started by looking at what happened on Cape Ann in 1918.”
Illustrating Barker’s point, one of the most striking images in “CAM (Re)Connects,” an exhibition on view now at the Pleasant Street campus, is a simple photograph of the Addison Gilbert Hospital parking lot from the era of the devasting 1918 Spanish Flu. Filled with tents to handle the patient overflow from that deadly pandemic, it’s a reminder of what we’ve been through, and that others endured similarly in the past.
В Приморье в сгоревшем доме обнаружили два трупа
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