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How do museums exhibit the colonial past?

How do museums exhibit the colonial past? Kelly Horan © Mauritshuis, The Hague Jan Mijtens (Dutch, c. 1614–1670), Portrait of Maria of Orange with Hendrik van Nassau-Zuylestein and a Black Child (detail), c. 1655. Oil on canvas. When the Amsterdam Museum announced, in September 2019, that it would no longer refer to the Dutch Republic’s most robust period of cultural and economic ascendancy as its “golden age” a term that glosses over the gross inequities of the period Sarah Mallory, a doctoral candidate in the Department of Art and Architectural History at Harvard and a scholar of the period, took notice. “That term, ‘golden age,’ is so integrated into the way that people think about the Netherlands in the 17th century and its incredible flowering of arts and culture,” she says. Think Rembrandt, Vermeer, and Van Dyck. “It’s also a signal to remember some incredibly important reasons why that [flowering] was able to happen.” Namely:

Ruth J Simmons will speak at Princeton s Baccalaureate ceremony

The Office of Communications April 7, 2021 2 p.m. Prairie View A&M University President Ruth J. Simmons, who previously served as president of both Brown University and Smith College, will deliver the keynote address at Princeton University’s 2021 Baccalaureate ceremony. Simmons was selected by the Committee on Honorary Degrees, which includes University trustees, faculty members and students, and approved by the Board of Trustees.  Ruth Simmons Photo courtesy of Prairie View A&M University “Ruth Simmons is a visionary leader who has throughout her career demonstrated the commitments to education, civic engagement, and social responsibility that we hope our graduates will exemplify in their lives,” said Princeton University President Christopher L. Eisgruber. “She is also a wise and thoughtful counselor. I have benefited on many occasions from her insightful guidance, and I am confident that our students will do so as well.”

Art of surprise - The Martha s Vineyard Times

The Martha s Vineyard Times Menemsha, acrylic on wood, 12 × 12 in. Alena Grady VH Harbor, acrylic on wood, from a Vineyard Colors photograph, 14 × 14 in. Alena Grady Kids, oil on wood, 12 in. diameter. Alena Grady Octopus, oil on wood, 24 × 20 in. Alena Grady Seahorse, oil on wood, 8 x 8 in. Alena Grady Rocks, oil on wood, 24 × 18 in. Alena Grady For some Islanders, the pandemic has inspired them to revisit creative endeavors that they may have put on hold when other demands took precedence. Case in point: Alena Grady, who has used some free time from her job as a dental hygienist to revisit her passion for creating art. The Russian native had once had her sights set on attending art school. Although she was accepted by the Rhode Island School of Design (RISD) a few years back, financial and other considerations made her reconsider, and she put art on the back burner to switch career plans and raise a family.

This Is a Robbery, on Netflix, revisits the Isabella Stewart Gardner Museum art theft

‘This Is a Robbery,’ on Netflix, revisits the Isabella Stewart Gardner Museum art theft The film might not solve the three-decade old case, but does transform it into a frustrating and irresistible mystery By Peter Keough Globe correspondent,Updated April 7, 2021, 2 hours ago Email to a Friend The Isabella Stewart Gardner Museum, as seen in This Is a Robbery: The World s Biggest Art Heist. Courtesy of Netflix When shot at night, at the right angles, with spooky music on the soundtrack, the genteel elegance of the Isabella Stewart Gardner Museum makes for an ideal film noir setting. Such recurring images of the Venetian-style palazzo with its eerie low-lit galleries, its ornate central courtyard spectral in the night, its shadowy tunnels and passageways highlighted by cobwebs, set the mood for Colin Barnicle’s four-part, 3½-hour “This Is a Robbery: The World’s Biggest Art Heist,” on Netflix.

Otorgan y retiran premio a crítico de arte argentino

Otorgan y retiran premio a crítico de arte argentino
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