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Seventy-nine of the paintings have never been exhibited in Australia before. “To stage an exhibition such as this is a true coup for Melbourne and Australia under normal circumstances, but to enable the calibre of these loans to travel here in a complex environment is a result of considerable logistical planning and incredible collaboration with our fantastic colleagues at the Museum of Fine Arts, Boston,” Ellwood said. Dance at Bougival (1883) by Pierre-Auguste Renoir. Photograph: Saravuth Neou/Photography © Museum of Fine Arts, Boston. All Rights Reserved. The exhibition will traverse the trajectory of impressionist thought and practice in 10 sections, focusing on the preferred subjects and key influences of the period, from the painters of the Barbizon school’s influence on Monet’s outdoor work, to still-life paintings and street scenes.

United statesHawkesbury riverNew south walesMuseum of fine artsÎe de franceClara southernTony ellwoodCamille henrotFrancisco goyaTom robertsMary cassattMaree clarkeKatie hansonPierre auguste renoirEdgar degasCamille pissarro