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Con esta exposición, el Museo de Bellas Artes de Córdoba vuelve a traer a primera línea la relevancia de la colección de obras sobre papel de Antonio Reinoso, y especialmente de su fondo de dibujos antiguos La exposición podrá visitarse hasta el 15 de en
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Canal San Carlos de Santiago, ¿Taparlo? | Plataforma Arquitectura
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Claudio Bravo
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Forum Gallery presents its first exhibition of works by Claudio Bravo (1936 – 2011), whose estate the Gallery now represents.
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The exhibition of paintings, pastels and drawings includes works exhibited publicly for the first time in the United States.
In his catalogue essay, Art in America contributing editor David Ebony writes, “Gifted with technical virtuosity, Bravo commands a seemingly effortless sleight-of-hand to enthrall viewers in unexpected ways. Like a modern-day alchemist, he manages to transform everyday objects and ordinary subjects into something inimitable, rarified and extraordinary. Even hi
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Michelin-star chefs bringing Italian, French cuisine to MFAH
From left: Chefs Salvatore Martone, Jonathan Benno and Alain Verzeroli all Michelin star recipients are part of a team bringing two restaurant concepts to the Museum of Fine Arts, Houston in 2021. (Shannon O Hara/Bastion Restaurants)
From left: Chefs Salvatore Martone, Jonathan Benno and Alain Verzeroli all Michelin star recipients are part of a team bringing two restaurant concepts to the Museum of Fine Arts, Houston in 2021. (Shannon O Hara/Bastion Restaurants)
Korean artist Kim Tschang-Yeul, who was widely known for his “water drop” paintings, which he characterized as a way of erasing his ego, died January 5 at the age of ninety-one. Along with Nam June Paik and Lee Ufan, Kim was one of Korea’s most influential artists of the past century.
Born in 1929 in Maengsan, in what would come to be North Korea, Kim in 1945 moved south, where he studied under Lee Kwae-dae, eventually enrolling in the art program at Seoul National University. Following the interruption of the Korean War (1950–53), Kim, with Park Seo-Bo, Suh Se-Ok, Ha Chong-Hyun, and Chung Chang-Sup, led Korea’s burgeoning Art Informel movement, whose concerns with nonrepresentational abstract art paralleled those of their counterparts in Europe and America. Kim’s work and that of his compatriots would prove to have an enormous impact on the artists of the subsequent Dansaekhwa movement. Kim’s work of this time earned him spots in both the Paris Biennale of 1961 and th
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