Good riddance, 2020. Here s what to watch for in Houston s 2021.
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People move through Carlos Cruz-Diez s Cromosaturación MFAH, a new tunnel connecting The Museum of Fine Arts Houston s new Nancy and Rich Kinder Building to the rest of the campus, Wednesday, Nov. 18, 2020, in Houston.Mark Mulligan, Houston Chronicle / Staff photographerShow MoreShow Less
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Neighbors Laura Livingston (with umbrella) and Eva Preisner with her two children, Hans, 5, and Eda Elaine, 2, look at a rainbow crossing a drainage ditch in their Westbury neighborhood, Friday evening, May 15, 2020, in Houston.Mark Mulligan, Houston Chronicle / Staff photographerShow MoreShow Less
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An oil pumpjack outside of Odessa, Texas on Sunday, April 26, 2020.Elizabeth Conley, Houston Chronicle / Staff photographerShow MoreShow Less
Новогодние каникулы в Калининграде: праздничная афиша для горожан и гостей города
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Events - Community - Thursday, December 31, 2020 - The Austin Chronicle
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Admirers of Wong and his films have been obviously psyched about the series. University of Houston film professor Dr. Karen Fang fell in love with Wong’s movies when, as a graduate student/teacher’s assistant at Johns Hopkins University, she screened his 1994 breakthrough “Chungking Express” for a Hong Kong film class.
“I think I had watched it beforehand on video, and I didn’t really get it,” says Fang, who is also a member of the MFAH film subcommittee. “But the students all got it… They were giggling and charmed by the film. And watching the movie a second time through made me pay closer attention to that.”
FORMER STUDIO of Corita Kent from 1962 to 1968 has been a dry cleaning establishment for the past 30 years.
Last month, the City of Los Angeles Cultural Heritage Commission recommended that the City Council designate the former print studio of Sister Mary Corita Kent, the “Pop Art Nun,” as an Historic-Cultural Monument thus ending the year with a ray of hope. With all the challenges that our fair city has endured in the past year, be it the pandemic, economic collapse and social unrest, the declaration of such a humble landmark, altered, aged and standing in the way of development, showed that Los Angeles had not relinquished its duty to preserve and protect its heritage even as it continues to re-examine and broaden what that heritage is.