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“In the American Southwest”: Adam Clark Vroman, Ansel Adams, and Will Wilson December 22, 2020 How the West is One, Will Wilson (Diné (Navajo), born in 1969), 2014, photograph, inkjet print, courtesy of the artist, © Will Wilson, courtesy Museum of Fine Arts, Boston. Problematic and misleading portrayals of Indigenous peoples have long marred US history. In this blog, we look at three artists included in Ansel Adams in Our Time Adam Clark Vroman, Ansel Adams, and Will Wilson to understand how Indigenous people have been historically photographed and how this depiction has changed over time. At the turn of the twentieth century, the landscape and non-white populations of the “American Southwest” were thought to be “isolated” and “primitive” in relation to a white US citizenry. Unironically, the then-US territories of Arizona and New Mexico were deemed un-American through processes of racialization used to sustain a white nationalistic vision.[i] The introductio

New mexicoUnited statesMuseum of fine artsLas vegasRaton passAcoma puebloUniversity of new mexicoDavid saizWill wilsonJohnc calhounMichelle cookEdwards curtisAdam clark vromanAnsel adamsPatrocinio barelaStephanie lewthwaite