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The First Art Newspaper on the Net   A visitor studies Titian’s portrait, “Benedetto Varchi,” left, and Bronzino’s “Allegorical portrait of Dante,” at the Metropolitan Museum of Art’s “The Medici: Portraits and Politics, 1512-1570,” exhibit in New York, June 21, 2021. The sweep of Italian history and art history in dazzling portraits from the dynasty’s final hurrah, on view in a sumptuous exhibition at the Met. Diana Markosian/The New York Times. by Roberta Smith (NYT NEWS SERVICE) .- It’s hard to imagine Florence, cradle of the High Renaissance of early modern Europe, without its avaricious, venal, culture-conscious first family, the Medicis. Crowned and uncrowned, during periods of supposedly republican government and not, they largely ruled the city-state, or connived to, from the mid-14th to the mid-18th centuries, using art to cement their power. They excelled at banking and prospered especially when their Rome branch quietly became banker to the popes. They al

New yorkUnited statesIsrael generalAl jizahUnited kingdomFrance generalProvence alpes côd azurHebrew universityAl qahirahMetropolitan museum of artKatie stecklesPeter van agtmaelBolivia arthurAnne christine poujoulatNesher ramlaClive entwistle