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Soul review: Disney Pixar film with Jamie Foxx, Tina Fey, is a simple and happy affair

Soul (2020) | Disney Pixar The 2015 Disney Pixar film Inside Out took us into the mind and emotional core of a young girl. In 2020’s Soul, directors Pete Doctor and co-director Kemp Powers go beyond the body to explore metaphysical matter. The gorgeously animated Soul is also a play on the protagonist’s passion for music. Joe Gardner is a music teacher with unrealised dreams of becoming a performing jazz pianist. The 100-minute movie is being streamed on Disney+ Hotstar. The film begins with disharmonious musical instruments playing in the background as the Disney logo is revealed. Joe Gardner (voice of Jamie Foxx) is patiently encouraging his largely disinterested class of 12 year-old students to try harder.

Soul review: Pixar animation shows what it means to be human - just at the right time

Review: Soul Is A Delightfully Weird Delve Into What Makes Us Human

For decades, Pixar has pushed the boundaries of what its audience can imagine by grounding the fantastical in delightful ways, whether we look at toys on the ground, a universe of cars, robots on an unsustainable planet, the afterlife, or the mind of a child. Soul is no exception to that plight. Partly taking place on another plane of existence, Soul is perhaps one of Pixar’s more ambitious stories to date, a thoughtful and often experimental exploration of dreams, humanity, and appreciating what life has to offer that’s bolstered by inventive animation and the music. Soul DIRECTOR: Pete Docter

Soul Review: Pixar prioritizes concept over character in its most literal meaning-of-life tale yet

The ever-popular studio merges cosmic philosophy and hyperspecific narrative. The result feels unfinished. Credit: Disney/Pixar Published: 3:32 PM CST December 15, 2020 Updated: 1:32 PM CST December 24, 2020 Pixar last month turned 25 and, perhaps like those who can glimpse images from “Toy Story” and “A Bug’s Life” among their earliest movie-watching memories, the studio finds itself going through a quarter-life crisis. If we can imagine an entertainment company as humanistic (stick with me; I promise this isn’t more high-concept than the premise behind their newest movie), we can also imagine the questions Pixar may be asking of itself: “Why am I here? What is my purpose? Who am I trying to satisfy first and foremost?”

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