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Organized by Rory Padeken, curator
The circle and the square. Verticals, swoops, and folds. Flat planes and sensuous surfaces. Colors bright and vibrant. During the late 1950s and 60s, artists began to diverge from the painterly, gestural approaches of Abstract Expressionism in favor of what the American art critic Clement Greenberg in 1964 called post-painterly abstraction. Artists moved in a variety of directions, some in pursuit of paintings pure in color and open in composition while others toward structured, linear designs using familiar geometric shapes. Rejecting a loose application of paint, these artists stained their unprimed canvases or created flat planes of color devoid of any distinctive mark making.
Break + Bleed to Open at San José Museum of Art on June 4, 2021
SAN JOSE, California
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Josef Albers, âWhite Line Squares XIII,â 1966â1970. Lithograph on paper, 21 x 21 inches. Gift of the Docent Council. 1979.06. âBreak + Bleedâ on view at San José Museum of Art June 4, 2021âJanuary 31, 2022.
San José Museum of Art
New exhibition will feature artists who exemplify the spirit of post-painterly abstraction.
During the late 1950s and 60s, artists began to diverge from the painterly, gestural approaches of Abstract Expressionism in favor of what the American art critic Clement Greenberg in 1964 called âpost-painterly abstraction.âÂ