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Black Mountain Masters Still Inspire

Black Mountain Masters Still Inspire
eichlernetwork.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from eichlernetwork.com Daily Mail and Mail on Sunday newspapers.

S F artist goes underground with ecstatic BART art installation – J

S F artist goes underground with ecstatic BART art installation – J
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Bay Area museums, galleries back with big experiences this summer

Bay Area museums, galleries back with big experiences this summer
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Break + Bleed at San Jose Museum of Art in San Jose - June 4, 2021

Organized by Rory Padeken, curator The circle and the square. Verticals, swoops, and folds. Flat planes and sensuous surfaces. Colors bright and vibrant. During the late 1950s and 60s, artists began to diverge from the painterly, gestural approaches of Abstract Expressionism in favor of what the American art critic Clement Greenberg in 1964 called post-painterly abstraction. Artists moved in a variety of directions, some in pursuit of paintings pure in color and open in composition while others toward structured, linear designs using familiar geometric shapes. Rejecting a loose application of paint, these artists stained their unprimed canvases or created flat planes of color devoid of any distinctive mark making.

Break + Bleed to Open at San José Museum of Art on June 4, 2021

Break + Bleed to Open at San José Museum of Art on June 4, 2021 SAN JOSE, California Subject Line Please provide verification code Email is invalid Josef Albers, “White Line Squares XIII,” 1966–1970. Lithograph on paper, 21 x 21 inches. Gift of the Docent Council. 1979.06. “Break + Bleed” on view at San José Museum of Art June 4, 2021–January 31, 2022. San José Museum of Art New exhibition will feature artists who exemplify the spirit of post-painterly abstraction. During the late 1950s and 60s, artists began to diverge from the painterly, gestural approaches of Abstract Expressionism in favor of what the American art critic Clement Greenberg in 1964 called “post-painterly abstraction.” 

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