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Shock G Death Tribute - How the Digital Underground Rapper Bridged the Gap Between P-Funk and Tupac

Jesse Frohman An amazing thing about listening to hip-hop in the late 1980s and early 1990s was the sense of infinite possibility. It seemed like every week, some new record came out that sounded like nothing you had ever heard before, and opened up some whole new territory you’d never even considered. The technology, the subject matter, and the audience were all shifting at warp speed; N.W.A’s Straight Outta Compton, Public Enemy’s It Takes a Nation of Millions to Hold Us Back, and De La Soul’s 3 Feet High and Rising all radically changed the direction of music, and they all came out within less than a year of each other.

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Prince Protégées - Musicians Prince Mentored Discuss His Final Years and Legacy 5 Years After His Death

Throughout his career, Prince surrounded himself with other musicians that he supported, mentored, and studied. Early on, he was writing so much music that he recruited or assembled other acts to play his songs The Time, Sheila E., Vanity 6. The “Minneapolis scene” of the ‘80s, his engineer Susan Rogers once said, was really “one guy who created his own competition in order to be a scene.” But after his superstardom was secured, Prince continued to reach out to young musicians and bring them into his orbit, and on the fifth anniversary of his death those artists are still absorbing and carrying on his lessons.

United statesUnited kingdomCity ofAlan lightRita oraKendrick lamarLianne la havasDonna grantisSusan rogersAmanda gormanJanelle monAlan lightauthorAlicia keysPaisley parkKandace springsPurple rain

Ringo Starr On Why Here Comes the Sun Is the Most Popular Beatles Song, His New EP, and Taylor Swift

Ringo Starr On Why Here Comes the Sun Is the Most Popular Beatles Song, His New EP, and Taylor Swift
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Billie Eilish Documentary Movie Shows the Real Reason Why She Is So Popular

Apple The first time I saw Billie Eilish, it was at the Governor’s Ball Festival in New York City in June 2018. She was sixteen years old. She played in the middle of the afternoon at one of the side stages. Her debut album, When We All Fall Asleep, Where Do We Go? wouldn’t be out for another nine months, but it was very clear what was happening. The tent was packed, overflowing, but you could still see girls sprinting to push their way inside. They knew every word to the singles Eilish had released on SoundCloud and on her EP

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50 years later, Gamble and Huff s Philly sound stirs the soul

50 years later, Gamble and Huff s Philly sound stirs the soul In a photo taken remotely, Kenny Gamble, a co-founder of Philadelphia International Records, at his home in Philadelhpia, Feb. 17, 2021. The songwriters and producers Gamble and Leon Huffs Black-owned label Philadelphia International Records turned a citys aesthetic into a movement that reverberated around the world. Devin Oktar Yalkin/The New York Times. by Alan Light (NYT NEWS SERVICE) .- By the late 1970s, things had gotten so busy at Philadelphia International Records that the labels co-founders, Kenny Gamble and Leon Huff, had to leave town to write new songs. During one trip to Jamaica, they were settling in at the piano when a power outage hit the island.

New yorkUnited statesAlan lightDevin oktar yalkinKenny gambleNew york timesPhiladelphia international recordsLeon huffArt galleryFantasy artLandscape artAbstract artFine artWall artOil paintingLandscape painting