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Sara Cwynar: Glass Life

ISBN: 9781597114790 Photographs by Sara Cwynar. Text by Sheila Heti and Legacy Russell. Interviewer Rose Bouthillier. Sara Cwynar (born in Vancouver, 1985) graduated with a bachelor of design honors degree from York University in Toronto in 2010. After working as a freelance graphic designer for the New York Times, she earned an MFA in photography from Yale University in 2016. Her debut solo US museum exhibition, Sara Cwynar: Image Model Muse, opened at the Minneapolis Institute of Art in September 2018, prior to traveling to the Milwaukee Art Museum. Cwynar’s Red Film (2018) was included in the 2018 São Paulo Biennial, and she completed a residency at Skowhegan School of Painting and Sculpture, Maine, in summer 2018. In June 2019, the Aldrich Contemporary Art Museum, Ridgefield, Connecticut, opened

Modernist Frank Stella exhibiting new work

The Aldrich new exhibit Marginal Costs on view June 7

The Aldrich new exhibit Marginal Costs on view June 7 Written by The Aldrich Marginal Costs, the first solo museum exhibition of New York-based artist Lucia Hierro (b. 1987).  Hierro’s practice, which includes sculpture, digital media, and installation, confronts twenty-first century capitalism through an intersectional lens. Appropriating imagery that ranges from commerce to art history, Hierro’s choices manifest her own multidimensional experience as a Dominican American artist raised in Washington Heights, and now based in Brooklyn.  Marginal Costs will be on view at The Aldrich June 7, 2021 through January 2, 2022. There is a Members-Only preview on June 6. Learn more here. Learn more about Marginal Costs and artist Lucia Hierro HERE.

Exhibition of works by Alma Allen span two of Kasmin s locations in Chelsea

Sara Cwynar and Lucy Gallun on Glass Life

Sara Cwynar and curator Glass Life (Aperture, 2021). A feminist-inflected investigation of color and image-driven consumer culture,  Glass Life brings together Cwynar’s multilayered portraits and stills from the films  Soft Film (2016),  Rose Gold (2017), and  Red Film (2018). Gallun and Cwynar will discuss the artist’s multilayered practice and how she pursues photography in relation to film, sculpture, digital culture, and the cultural and technological history of image-making. This event takes place in conjunction with the June installment of the Museum of Modern Art’s Hyundai Card Video Views, featuring a film by Sara Cwynar. More information and access to the screening will be available on June 9, 2021.

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