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Phillips marks its centennial by looking ahead to the next century

May 22, 2021 Horace Pippin’s “Domino Players” is featured in “Seeing Differently: The Phillips Collects for a New Century.” (Photo: The Phillips Collection) The Phillips Collection may have hit the grand old age of 100, but its spectacular celebratory exhibition isn’t stuck in the past. For its centennial, the Phillips Collection is showcasing 200 works, including Georgia O’Keeffe’s “Large Dark Red Leaves on White.” (Photo: The Phillips Collection; © 2021 The Georgia O’Keeffe Foundation/Artist Rights Society, NY) Even as the show reflects on the museum’s own history, “Seeing Differently: The Phillips Collects for a New Century” is grappling with the future. In it, 100 years feels both epic and intimate, spanning continents and human experiences while the curators look to tie the show both to the Phillips’ longtime mission and the next century of acquisitions.

Legend of The Flying Dutchman, Ghostly Apparition of The Ship of Captain Hendrick

Illustration of captain Hendrick van der Decken. ( moonfireprojekt) Pushed to their limit, the crew mutinied. Without hesitation, Captain van der Decken killed the rebel leader and threw his body into the turning seas. The moment the rebel’s body hit the water the vessel spoke to the Captain “asking him if he did not mean to go into the bay that night. Van der Decken replied: ‘May I be eternally damned if I do, though I should beat about here till the day of judgment’” (Wagner quoted in Music with Ease, 2005). At that, the voice spoke again saying, “As a result of your actions you are condemned to sail the oceans for eternity with a ghostly crew of dead men bringing death to all who sight your spectral ship and to never make port or know a moment’s peace. Furthermore, gall shall be your drink and red hot iron your meat.” At this, Captain van der Decken did not quaver for an instant. Instead he merely cried “Amen to that!” (Occultopedia, 2016).

Featuring Works By David C Driskell, Sam Gilliam, And Janet Taylor Pickett, Alongside The European Canon, The Phillips Collection Compels Us To See Differently

Featuring Works By David C Driskell, Sam Gilliam, And Janet Taylor Pickett, Alongside The European Canon, The Phillips Collection Compels Us To See Differently
forbes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from forbes.com Daily Mail and Mail on Sunday newspapers.

Artist Samuel Palmer: Entranced by Nature

“The Lonely Tower” by Samuel Palmer (before 1881); watercolor, gouache, and gum arabic on board. Image courtesy of The Huntington Library, Art Museum, and Botanical Gardens. © The Huntington “The Lonely Tower” by Samuel Palmer (before 1881); watercolor, gouache, and gum arabic on board. Image courtesy of The Huntington Library, Art Museum, and Botanical Gardens. © The Huntington Rural romantic “A Memoir of Samuel Palmer,” by Samuel Palmer, A.H. Palmer, and F.G. Stephens (Getty Publications, 96 pp., $10.95) by Bondo Wyszpolski In addition to its often meaty and handsome art catalogues, the Getty has since 2018 been releasing a series of low-priced, small-format paperbacks under the general title of “Lives of the Artists.” To date, there have been 21 announced, with the majority focused on artists who are very well known, such as Raphael and Rubens, Van Gogh and Rembrandt. But as the series expands, and let us hope that it will, lesser-known artists are j

The Legend of C E S Wood, Portland s Anarchist Founding Father

Willamette Week The need for strong, independent local journalism is more urgent than ever. Please support the city we love by joining Friends of Willamette Week. The Legend of C.E.S. Wood, Portland’s Anarchist Founding Father Artist and lawyer, poet and soldier, patrician and anarchist, Portlander Charles Erskine Scott Wood was a jack of all trades and master of quite a few. C.E.S. Wood, photographed by Ansel Adams. By KEITH MOERER In his later years he looked like Zeus, with wild white hair and an untamed beard. Like the Greek god, he had a reputation for womanizing. And, though no deity himself, he was no ordinary mortal. His name was Charles Erskine Scott Wood, and it s unlikely that Portland was ever home to a more colorful or versatile citizen.

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