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Karl Wirsum, life-long Chicago painter and member of the Hairy Who, has died, aged 81

Karl Wirsum The Chicago-born artist Karl Wirsum, a member of the legendary Hairy Who art group, died on 6 May, aged 81. Spending most of his career in the Windy City, Wirsum became a beloved artist and professor of painting and drawing at the School of the Art Institute in Chicago, as evidenced by the outpouring of appreciation on social media from scores of former students and fans. “Karl was an artist of major consequence,” says James Rondeau, the president and director of the Art Institute of Chicago. “His visionary, imaginative, utterly original take on figuration both epitomized a Chicago school and registered in a national and international consciousness.”

Exhibition reexamines Tara Donovan s seminal Composition (Cards) series

Exhibition reexamines Tara Donovan s seminal Composition (Cards) series Tara Donovan, Composition (Cards), 2020. Styrene cards and glue, 39-1/4 x 59-1/4 x 4 . © Tara Donovan, courtesy Pace Gallery. PALM BEACH, FLA .-Pace Gallery is presenting a solo exhibition of work by Tara Donovan which reexamines the artist’s seminal Composition (Cards) series at the gallery’s outpost in Palm Beach. Ethereal, illusive pieces made from styrene index cards, the five sculptural paintings on view exemplify Donovan’s unique approach to artmaking, a generative process in which she incrementally and cumulatively shapes her work. Collectively, Donovan’s practice is characterized by her ongoing exploration of the aesthetic potential of her chosen media as well as her formidable capacity to challenge and play with the limits of perception. Coming on the heels of Donovan’s solo exhibition of recent work at Pace’s New York headquarters, this is the process-based artist’s debut show at the galle

Aesthetica Magazine - More to the Picture

More to the Picture Portraits reveal many truths about the human condition – how we present ourselves to the world. Bey explores the dialogue between sitter and subject. Dawoud Bey (b. 1953) is an International Center of Photography Infinity Award winner. He has received grants from The National Endowment for the Arts, the John Simon Guggenheim Memorial Foundation Fellowship and the MacArthur Fellowship (aka a “genius grant”) and has exhibited at the George Eastman House, the Walker Art Center, the Detroit Institute of Arts, the Birmingham Museum of Art, the Addison Gallery of American Art, the Indianapolis Museum of Art and many more. His latest show is

Master Minds To Feature Works From A Duo Of Notable Abstract Artists With Ties To The Hamptons

Master Minds, which debuts on Thursday, April 15. A MasterMind is a brilliant thinker with original ideas, explained Andrea McCafferty and Kat O Neill, The White Room Gallery Co-owners. Joe Stefanelli and Sasson Soffer are two world renowned artists who not only live up to that description but who have also shared a connection to East Hampton through Joe s studio paintings and Sasson s sculpture park. The duo continued, Joe, originally from Philadelphia, was part of the New York School of abstract expressionists showing with Pollack and de Kooning. Sasson, originally from Baghdad, came to NY to study with sculptor Jose de Rivera and painter Mark Rothko. Sasson lived to 84, Joe to 96.

Why the Pandemic Will Actually Strengthen the Art Experience Economy—and the Old-Fashioned Gallery Business, Too

teamLab, Massless Clouds Between Sculpture and Life (2020). Installation view of Every Wall is a Door Superblue Miami, 2021. Sound: teamLab. © teamLab, courtesy Pace Gallery. A version of this story first appeared in the spring 2021 Artnet Intelligence Report, which you can download in full for free here.   The launch of Superblue could not have come at a worse time. It was August 2020, in the heat of the summer lockdown, when the company announced its formation to a largely skeptical art world. It would pursue, it said, a twin mandate: to produce show-stopping immersive artworks for mass audiences of ticket buyers at a 50,000-square-foot “experiential art center” in Miami and take on experiential commissions for private and public clients at an ever-evolving array of off-site locations around the world. Both goals would be achieved in collaboration with A-list artists bridging the increasingly hazy borders between creative disciplines.

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