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Has the Government Just Made Illegal Streaming a Felony?

December 22nd 2020 6:04 pm As of Monday night, Congress has officially passed a new COVID-related stimulus bill. On top of issuing a one-time $600 payment to many Americans, the bill included a range of disparate regulation, including a bill with a big impact: Illegally streaming for a profit can be charged as a felony. The definition of just what constitutes a profit are a little vague – right now it s unclear if this is aimed purely at those flouting copywrite laws for big bucks, or whether it could also encompass much smaller players, such as a streamer who uses a piece of commercial music without licence.

Illegal Streaming for Profit Can Now Get Up to 10 Years in Prison and Be Considered Felony!

23 December 2020, 12:11 am EST By Illegal Streaming to Make a Profit Can Now Get Up to 10 Years in Prison and Be Considered a Felony!  ( Screenshot From Pxhere Official Website ) As of recent, the Congress has now officially passed a brand new stimulus bill that is COVID-related. On top of the $600 that Americans will be receiving, there will also be a bill that includes a wide range of different disparate regulations. One of the biggest impacts of the bill would be to make illegal streaming for a profit now a felony. What happens if you commit copyright infringement? According to the report by Tech.co, the main definition of what constitutes profit is still a bit vague. As of the moment, it is still unclear if this particular bill is now aimed at those seemingly flouting copyright laws for huge checks or whether it could possibly encompass other

Review: Pixar s Soul joins mid-life crisis, jazz fantasia | iNFOnews | Thompson-Okanagan s News Source

Jake Coyle This image released by Disney-Pixar shows the character 22, voiced by Tina Fey, left, and Joe Gardner, voiced by Jamie Foxx, in a scene from the animated film Soul. (Disney Pixar via AP) December 23, 2020 - 12:44 PM Pete Docter s “Soul” features stairway-to-heaven visions of the afterlife, a pre-birth “before” realm where souls are glowing turquoise orbs and an in-between spiritual realm trafficked by some kind of psychedelic pirate. And yet, kind of magically, it s about “just regular old living.” Pixar may have started simple with talking toys, but their concepts have grown increasingly elaborate over the years, giving abstract shape to interior consciousness ( Inside Out ), brightening a peopled world of the dead ( Coco ) and conjuring a mythical suburban land with a father s half-resurrected body ( Onward ). “Soul is a step further, again: a grand metaphysical whatsit — a mid-life crisis movie,

Review: Carey Mulligan mesmerizes in Promising Young Woman

Review: Carey Mulligan mesmerizes in ‘Promising Young Woman’ by Jocelyn Noveck, The Associated Press Posted Dec 22, 2020 10:11 am EDT Last Updated Dec 22, 2020 at 10:14 am EDT Is it a #MeToo-era revenge thriller? A 21st-century “Fatal Attraction”? A candy-colored feminist polemic, to strains of Paris Hilton and Britney Spears? A black comedy? A comic tragedy? None of the above and all of the above. Which is to say: a film as bracingly original as Emerald Fennell’s “Promising Young Woman” defies labels. Here’s a couple good adjectives, though: Startling the only way to describe Fennell’s vision and execution in this, her directorial debut. And, sensational a word that only begins to capture Carey Mulligan’s lead performance.

Review: Carey Mulligan mesmerizes in Promising Young Woman | iNFOnews | Thompson-Okanagan s News Source

Jocelyn Noveck December 22, 2020 - 7:11 AM Is it a #MeToo-era revenge thriller? A 21st-century “Fatal Attraction”? A candy-colored feminist polemic, to strains of Paris Hilton and Britney Spears? A black comedy? A comic tragedy? None of the above — and all of the above. Which is to say: a film as bracingly original as Emerald Fennell’s “Promising Young Woman defies labels. Here’s a couple good adjectives, though: Startling — the only way to describe Fennell’s vision and execution in this, her directorial debut. And, sensational — a word that only begins to capture Carey Mulligan’s lead performance. We’ve seen Mulligan command the screen before, and witnessed her consistently fearless stage work. But the tonal balancing act she conquers in this audacious, disconcerting film is something new entirely, and one wonders how many actors could even dream of pulling it off. It’s been a decade since

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