Michael Riedel, the New York Post s mischief-making Broadway columnist for more than two decades, has chronicled with incendiary flamboyance the backstage dramas of megalomaniacal producers, peremptory divas and the cowering artists caught in the crossfire. His Walter Winchell radar is acutely attuned to upcoming flops, a prospect that never fails to get his tabloid juices flowing.
A British director on the receiving end of some unflattering ink once knocked Riedel to the floor at a popular Broadway watering hole. The news gleefully spread through the theater district, hastened by the question of how Riedel would take revenge in his next column.
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