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McCartney III debuts at number 1 in US Billboard chart

Updated / Tuesday, 29 Dec 2020 20:14 Paul McCartney's latest studio album McCartney III has debuted at number one on the US Billboard album chart with the biggest sales week for a rock album by a solo artist since his last studio set, Egypt Station, also came in at number one. The achievement also marks the third largest sales week for a vinyl album since Nielsen Music/MRC Data began compiling music sales in 1991. McCartney III sold 104,000 copies in the US in the week ending December 24, according to Nielsen Music/MRC Data. We need your consent to load this YouTube contentWe use YouTube to manage extra content that can set cookies on your device and collect data about your activity. Please review their details and accept them to load the content.Manage Preferences

Paul McCartney's 'McCartney III' Debuts at No. 1 on Billboard's Top Album Sales Chart | The River 103.7

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Paul McCartney's 'McCartney III' Debuts at No. 1 on Billboard's Top Album Sales Chart

McCartney III bows at to No. 1) will be posted in full on  Billboard's website on Dec. 29. McCartney III sold 104,000 copies in the U.S. in the week ending Dec. 24, according to Nielsen Music/MRC Data. The last solo rock album to log a larger sales week was McCartney’s own Egypt Station, which opened at No. 1 on the list dated Sept. 22, 2018 with 147,000 copies sold. ( Egypt Station’s sales — like many other albums — were bolstered by a concert ticket/album sale redemption offer, as well as merchandise/album bundles, both of which ceased to count towards chart sales as of Oct. 9.)

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Paul McCartney: read the exclusive track-by-track story of 'McCartney III'

Credit: Sonny McCartney The story of Paul McCartney‘s self-titled trilogy is that of legend these days. The first in the collection, ‘McCartney’, was recorded solo at home by the Beatle during the band’s turbulent final period, offering a lo-fi outlet and away from the spotlight. He’s since claimed that the then-rudimentary recording equipment (largely pieced together entirely by Macca on a four-track tape, with contributions from wife Linda) resulted in one of the first ever “indie” albums. A decade later, a sequel followed. This time, ‘McCartney II’ was a freaky, out-there response to the arena-rock bombast of his next musical project, Wings. Holed up in his Sussex home he experimented with new song structures and synthesizers for an album that was largely scoffed at upon release, but contemporary revists hint at the direction that bedroom pop would end up taking today.

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