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Carousel: Its Original Jewish Author And Original Jewish Characters | The Jewish Press - JewishPress com | Saul Jay Singer | 15 Sivan 5781 – May 26, 2021

Carousel from Liliom (1909), a play featuring several Jewish characters and themes written by Hungarian Jewish playwright Ferenc MolnÃ¡r. Ferenc MolnÃ¡r MolnÃ¡r (1878-1952), born Ferenc Neumann in Budapest, was a Jewish dramatist and novelist who is remembered principally for The Paul Street Boys, the story of two rival gangs of youths in Budapest, a classic of youth literature beloved in Hungary and abroad for its treatment of the themes of solidarity and self-sacrifice, but he is best known to Americans and to Broadway aficionados for Liliom. MolnÃ¡r wrote Liliom in an attempt to publicly justify himself after his wife, suing him for divorce, alleged that he had struck their daughter. (This evokes in my mind the 15-year-old Louise characterizing Billyâs slapping her hand as âa kiss.â) When it premiered in Budapest in 1909, the audience was confused by the play, and it ran for only 30 performances before closing.

United statesNew yorkNellie forbushFerenc neumannGiacomo pucciniKurt weillIngrid bergmanAndreas zavockyRichard rodgersJerome kernJoseph schildkrautBurgess meredithJulie zellerBilly bigelowEdna ferberFerenc moln

Mike Gold, Avant-Garde Bard of Proletarian New York

Alice Neel, Mike Gold, 1952. © The Estate of Alice Neel Courtesy (Courtesy The Estate of Alice Neel and David Zwirner) Is it time to release Michael Gold from his personal gulag to range free in the pastures of 20th-century American literature? BOOKS IN REVIEW By Patrick Chura Gold “Mike” to his comrades was a key figure in American letters from the mid-1920s well into the Great Depression. A leading advocate and practitioner of “proletarian literature,” he was also the editor of New Masses, perhaps the most important left-wing periodical of the 1930s. A committed, vociferous revolutionary, he joined the Communist Party in the 1920s and then stuck with it for life. Neither purges nor pacts nor the 1956 invasion of Hungary would cause Gold to renounce his faith. On the contrary. A columnist for the

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Texas history can be read through movies about the state

Michael Barnes thinks the exchange should start with “The Trip to Bountiful.” Although he isn’t a fan of horror movies, he agrees that “Texas Chainsaw Massacre” is among the most influential movies about the state. To salute Texas Independence Week in 2019, my former American-Statesman colleague Dave Thomas and I put out a list of the 53 best books about Texas. It contained some beloved classics, such as John Graves’ “Goodbye to a River,” and some thrilling newcomers, like Attica Locke’s “Bluebird, Bluebird and Monica Muñoz Martinez’s “The Injustice Never Leaves You.” We encouraged readers to respond with their favorites. They did. On June 14, 2019, I published those provocative responses, including several from folks who wondered why we had left off James Michener’s doorstop novel, “Texas.”

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The 92 films to win Best Picture at the Oscars, from Wings to Parasite

The 92 films to win Best Picture at the Oscars, from Wings to Parasite
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United statesJames brookHong kongFrance generalUnited kingdomSri lankaNew zealandBaden wübergGrand casablancaNew yorkRepublic ofAmerican film instituteCity ofAl qahirahNew jerseyNew zealander

The 92 films to win Best Picture at the Oscars, from Wings to Parasite

United statesJames brookHong kongFrance generalUnited kingdomSri lankaNew zealandBaden wübergGrand casablancaNew yorkRepublic ofAmerican film instituteCity ofAl qahirahNew jerseyNew zealander