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Four Studies of Black Healing
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(2016), from the photographer’s “Mass Production Comes Home” series.
In 1916, Henri Matisse painted
T
he Piano Lesson, which features his young son Pierre at the family piano. Part of a seminal series of intimate portraits, the work is a visual illusion that blurs the boundaries between inside and outside. Points of entry are unclear; the assumed safety of shelter feels precarious, even slightly threatened.
The public display of our private spaces has a long history in art-making. From photographers to dancers and other creatives, many artists have attempted to engage with interiors illuminating and recasting the banal spaces of everyday life as sites for the extraordinary. At a time when many of us are opening our homes to outsiders through the form of gridded squares and virtual gazes, the topic takes on a renewed relevance.
Above: A photograph by Vanessa Charlot from TRNK’s “Resistance::Resilience” exhibition.
This Black History Month, TRNK founder Tariq Dixon wanted to use his platform to directly address the Black Lives Matter protests of summer 2020 and to imagine a way that he, as a Black retailer and the head of a design studio, could affect change. The result is the latest installment of the TRNK Editions art series, “Resistance::Resilience,” a collection of photographic and mixed-media works that aim to contextualize the history of Black activism in the United States.
The exhibition brings together diverse perspectives on protest and its implications for the Black American experience from the likes of Amandla Baraka, Gregory Prescott, and Quan Brinson; the works are available framed and unframed, starting at $150 each, with 25 percent of sales throughout the year benefiting the Black Youth Project 100, a member-based organization of Black youth activists. We spoke with Dixon about th
This Fashion Editorial Is About the Beauty of Black Gay Love
By Mikelle Street
A week ago
Justsmile, a magazine with Black creativity as its central point, launched with a slew of covers. Art critic and writer Antwaun Sargent as well as musician Ian Isaiah (in head to toe Hood by Air) are cover stars for the Sydney, Australia-based glossy s first issue that counts stylist Kevin Hunter and photographer Bryce Thomas as founders. They ve packed the issue with a variety of features including a portfolio of young Sydney talents as well a conversation with Marcus Leslie Singleton and Tschabalala Self. The hope: to create a support network for creatives of color and to give them an opportunity.
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