Blu-ray: Raw
Garance Marillier, developing a taste for the red stuff
Raw opens with a bang, a distant figure on a remote country road stepping out in front of a car, causing it to crash into a tree. What’s really happened isn’t made clear until we’re well into French director Julia Ducournau’s 2016 feature.
Raw opens with a bang, a distant figure on a remote country road stepping out in front of a car, causing it to crash into a tree. What’s really happened isn’t made clear until we’re well into French director Julia Ducournau’s 2016 feature. Part coming-of-age drama, part grisly horror
Titane : une première photo du nouveau film de Julia Ducournau dévoilée
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Blu-ray Review - Raw (2016)
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Moritz Polter
Moritz Polter, also an executive producer on the Netflix series Freud, will launch the new TV label later this year.
ITV Studios is boosting its investment in German TV, launching a new label for high-end scripted television with Moritz Polter, the producer of such hit German-language series as Sky s
Das Boot and the Netflix/ORF production
Freud.
Polter, a former executive at Bavaria Fiction and StudioCanal-owned Tandem Productions, Polter will set up the new German fiction division under the auspices of ITV Studios. The label, which is still unnamed, will be launched later this year.
Polter will develop and produce high-end fiction series for the German-language market which ITV Studios will distribute internationally. He will report to Lisa Perrin, ITV Studios managing director of international production.
Content warning: This article discusses plot details, which include descriptions of violence
and cannibalism.
Female sexuality is often closely linked to monstrosity. For example, tracing back to classic mythology, sirens were known to lure men using their inherent sexuality to devour them. This notion of women using their sexuality from lesser to larger monstrous and aggressive degrees is still prevalent in stories and media today. As horror critic Barbara Creed argues in her book,
The Monstrous-Feminine, the connection between females and monstrosity is “almost always in relation to her mothering and reproductive functions.” Essentially, the perceived source of a female’s monstrosity is in what makes her different than a male.