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From the Archives: High styles: American design in twentieth century

From the Archives: High styles: American design in twentieth century
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How a pandemic year of loss reshaped Maya Lin's art and architecture

How a pandemic year of loss reshaped Maya Lin s art and architecture Carolina A. Miranda © Provided by The LA Times Maya Lin stands amid Ghost Forest, a public art project in New York s Madison Square Park that nods to the ravaging effects of climate change (Kirk McKoy / Los Angeles Times) For more than a year, I ve kept a folder on my desk that was stuffed full of scribbled notes for the story I was working on when the pandemic hit. Every journalist, it seems, has a version of this folder ideas rendered moot by the arrival of our global calamity.

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How pandemic loss reshaped Maya Lin's art and architecture

Print For more than a year, I’ve kept a folder on my desk that was stuffed full of scribbled notes for the story I was working on when the pandemic hit. Every journalist, it seems, has a version of this folder ideas rendered moot by the arrival of our global calamity. The story, about the architecture of libraries, was also a story about how women design for women. The library in question was one I knew intimately: Neilson Library, the central library at Smith College, the women’s college in Northampton, Mass., where I studied as an undergraduate. My focus was a $120-million renovation of that space designed by Maya Lin Studio, in collaboration with Boston-based firm Shepley Bulfinch, which had devised Neilson’s master plan.

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"It's time to abolish the architecture critic" says Mimi Zeiger

Newspapers largely white, male architecture critics are a reflection of the structural inequalities of the built environment and are not equipped to deal with our current time of crisis, says Mimi Zeiger. On 8 January, just days after insurrectionists stormed the Capitol, architecture critic Blair Kamin announced on Twitter that after nearly three decades he would step down from his role at the Chicago Tribune. Some, whose minds were previously reeling from the events in Washington, suddenly had a new fixation: who would replace him? Kamin refrained from playing favourites, preferring to honour his Pulitzer-winning predecessor Paul Gapp, who served as the paper s architecture critic for 18 years. In that vacuum, speculation erupted in tweets and on backchannels. Names were floated then caught in what seemed like a vortex but was really just an eddy compared to national events.

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