Fatal Attraction UK Tour 2021-2022
May 11, 2021 Last updated:
May 11, 2021
Smith and Brant Theatricals and Ambassador Theatre Group Productions announce a new production of
Fatal Attraction, based on the classic Paramount Pictures Corporation film.
The thrilling new play will embark on a major UK Tour in 2022, opening at the Brighton Theatre Royal on Tuesday 14th January 2022, before touring to Theatre Royal, Newcastle; King’s Theatre, Edinburgh; Theatre Royal, Bath; Theatre Royal, Nottingham; Alexandra Theatre, Birmingham;
New Theatre, Cardiff; Everyman Theatre, Cheltenham; Richmond Theatre, Richmond; Royal and Derngate, Northampton; Waterside Theatre, Aylesbury; Theatre Royal, Glasgow and York, Grand Opera House.
Fatal Attraction is the latest grip-the-edge-of-your-seat thriller from the producers of the acclaimed tours of Patrick Hamilton’s Gaslight and Patricia Highsmith’s Strangers on a Train. Fatal Attraction is written by James Dearden, who based the stage play
A WILTSHIRE film-maker is to have his latest work featured in a black tie premiere in Bristol next month. Jason Parker, 32, from Bradford on Avon, teamed up with cast and crew members from Wiltshire, North East Somerset and Bristol, last year. The low-budget film is written and directed by Mr Parker and stars Tom Hogan and Hannah Rose. Jason, of Regent s Place, said: We took it upon ourselves to produce a feature-length, completely independent, horror film entitled The Suppression of Hannah Stevenson. We started principal photography in February last year, before the production had to be shut down due to the national lockdown.
Photo by Harold F. Burgess II.
“Throw Me on the Burnpile and Light Me Up,” written by Oscar-nominated (“Beasts of the Southern Wild”) Lucy Alibar, is directed by Ryan Rilette and has opened virtually at the Round House Theatre. The play is a one-woman show starring Beth Hylton (an Everyman Theatre resident company member), one of the best local talents who carries the weight of this play with aplomb.
The play is semi-autobiographical but you will notice parallels to “To Kill a Mockingbird.” It has two main themes. The first is that everyone, no matter how heinous their crimes, has the right to competent counsel when on trial under the 6
Cork Midsummer Festival: The show must go on, but how?
9 min read A DYNAMIC BLEND OF OUTDOOR AND ONLINE EVENTS RUNS FROM BREAKDANCING TO DOORSTEP PERFORMANCES AS THE CORK MIDSUMMER FESTIVAL WILL MARRY INGENUITY AND FLEXIBILITY, NO MATTER WHAT THE RULES HAPPEN TO BE
Imagine this. You’re standing in Cork city’s Elizabeth Fort, one of 15 socially distanced people, right in the midst of Alex Petcu’s percussion sextet Bangers & Crash, buried by the raw power and immediacy of live percussion, that “immersive, visceral feeling of the music up at the fort”.
Or this: “You’re standing underneath the Port of Cork sign, facing out to the water, the quay, the city, headphones on”, listening to sounds, spoken word, electronic beats, opera, teasing out the life of Kate “Birdie” Conway. “You’ll be encouraged to dance, if you want to… or it’s perfectly acceptable to stand there. It’ll be very interactive.”
CURRENTLY online before its live theatre tour, Ben Brown’s new play demonstrates that drama without action can hold an audience’s attention if blessed with superb acting and a subject of intense interest.
As a play relating to what happened at the meeting of two people who played a significant part in modern history, A Splinter of Ice is reminiscent of Michael Frayn’s Copenhagen. But here the subject is not the reason why Nazi Germany did not achieve the catastrophic breakthrough to splitting the atom before the Allies but why a man who had all the gifts his country could offer would devote his life to betraying it.