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Trial of Chicago 7 wins top prize at Screen Actors Guild awards | WSAU News/Talk 550 AM · 99 9 FM

Trial of Chicago 7, Chadwick Boseman score SAG wins ahead of Oscars | Showbiz

Trial of Chicago 7, Chadwick Boseman score SAG wins ahead of Oscars | Showbiz
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Trial of Chicago 7 wins top prize at Screen Actors Guild awards

By Reuters Staff 1 Min Read FILE PHOTO: Director and writer of the movie Aaron Sorkin poses at a drive-in premiere for the film The Trial of the Chicago 7 at Rose Bowl in Pasadena, California, U.S., October 13, 2020. REUTERS/Mario Anzuoni LOS ANGELES (Reuters) - “The Trial of the Chicago 7” won the top prize at the Screen Actors Guild (SAG) Awards on Sunday. The late Chadwick Boseman and Viola Davis were named best movie actors for their roles in jazz period drama “Ma Rainey’s Black Bottom.” The SAG awards, chosen by members of the acting union, are regarded as a key indicator of likely success at the Oscars later this month because actors form the largest voting group in the Academy of Motion Picture Arts and Sciences.

No Zoom Oscars causes backlash, Hollywood media reports | One America News Network

‘No Zoom’ Oscars causes backlash, Hollywood media reports FILE PHOTO: Preparation for the 92nd Academy Awards continues along the red carpet area in Los Angeles, California, U.S., February 8, 2020. REUTERS/Mike Blake March 26, 2021 LOS ANGELES (Reuters) – The “No Zoom” policy for this year’s Oscars ceremony is proving a headache for multiple nominees who live outside the United States and who are still under pandemic restrictions, according to Hollywood publications. Variety and Deadline Hollywood reported on Wednesday that publicists and some studio executives have complained to the film academy about logistics, costs and quarantine issues raised by the decision to bar nominees from taking part in the ceremony remotely.

Fearful of political criticism, China won t show the Oscars live-545298

Fearful of political criticism, China won’t show the Oscars live Sun Online Desk 5th April, 2021 11:07:12 With a Mandarin-language movie nominated for best international feature and a Chinese-born woman the front-runner for best director, this year’s Oscars should have been an opportunity for China to take a victory lap. Instead, the annual ceremony is becoming something else in one of the world’s largest film markets: a thorn in its side. The developments are turning a potential moment of easy Hollywood harmony into a political flash point and underlining the growing complexity of the industry’s relationship with China.

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