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First woman to win Corteva Marlborough Young Viticulturist of the Year Competition
July 5th, 2021
Congratulations to Jessica Wilson from Whitehaven who became the Corteva Marlborough Young Viticulturist of the Year 2021. The competition was held on 1 July following at Giesen’s Stump Creek Road Vineyard in Renwick.
Congratulations also goes to Jessica Marston from Villa Maria who was Runner Up and Tahryn Mason also from Villa Maria who came third.
This is the first time in the sixteen years of the Marlborough Young Vit Competition that a woman has taken out the title.
It’s one of the original Young Vit regional competitions and always oversubscribed with many young viticulturists applying to enter.
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In Paweł Pawlikowski’s romance, the ebbs and flows of the relationship between Natalie Press’s working-class Yorkshire teenager and Emily Blunt’s posh rebel are intensified by the lack of structure the holidays bring, enabling transgressive behaviour and, ultimately, damaging flights of fancy.
Window to the soul ... Timothée Chalamet in Call Me By Your Name. Photograph: Moviestore/Rex/Shutterstock
Call Me By Your Name
2017
The holiday romance is a mainstay of the summer film, and Luca Guadagnino’s drama captures the lust, joy and transience of the experience, wrapped up in a seductive rural Italian setting. A cultured American teenage boy’s fling with an older man is conducted through meandering bike rides and cooling dips in remote lakes; the film’s languid atmosphere gives it an air of inevitability.
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Outback) and Nicolas Roeg’s
Walkabout. Though directed by foreigners (Canadian and English, respectively), they were uniquely Australian stories that set the mold for much of what was to come.
And what came was that, by the decade’s end, such homegrown directors as Peter Weir, Bruce Beresford, Gillian Armstrong, George Miller, Fred Schepisi, and Philip Noyce were considered among the world’s leading emergent celluloid talents. While movies from Australia (barring the occasional international production shot there) were seldom seen abroad before 1970, by the 1980s they’d become widely exported and acclaimed.
A couple new features are very much in synch with the templates set by those two original “Australian New Wave” classics, with
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