December 14, 2020
In the middle of the night on November 28, 32 Cuban artists emerged from a five-hour meeting with officials of the Ministry of Culture. They had called on the Cuban government to refrain from harassing independent artists, to stop treating dissent as a crime, and to cease its violence against the San Isidro Movement, a group of artists and activists that had staged a hunger strike to protest the arrest and sentencing of a young rapper. The news of the encounter was shared with a crowd of about 300 artists, writers, actors, and filmmakers who had stood outside for more than 12 hours to pressure ministers to open their doors. Nothing like this had ever happened before on the island.
Among the best fiction from Latin America this year,
Dead Girls by Argentinean Selva Almada (Charco Press) deserves a special mention as being one of the most powerful and necessary. This is an incisive book that deals head-on with the tragedy of femicides in Latin American by recounting the killings of three teenage girls in the interior of Argentina in the 1980s.
The Book of Emma Reyes, by Colombian artist and writer Emma Reyes (Weidenfeld & Nicolson), is another highlight. An instant classic, the book includes 23 beautifully written letters by the author, who recounts the moving story of a Colombian girl trying to survive extreme poverty, violence, class prejudice and years of abuse in a exploitative and cruel Catholic convent.
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