Also, doing so made logistical sense, given the pandemic restrictions on travel and loans; the museum equivalent of working from home is working from your own collections. Approximately 80 percent of the clothes in the show will come from the Met’s holdings, with only one garment originating outside the country.
Yet the exhibitions’ focus also reflects the more existential and political developments of the last year: debates over what it means to be American today and efforts to expose and grapple with racism.
Though the Costume Institute, and Mr. Bolton, have highlighted American fashion in the past, those shows took the form of either a single designer retrospective (the 2014 Charles James exhibition) or a more abstract endeavor like “American Woman: Fashioning a National Identity” in 2010, which focused on American archetypes as interpreted by designers around the world. The current show, like those on China, Catholicism and Camp that have come to define Mr. Bolton’s t
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