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during the flight on 2 april- four passengers fell on the plane due to air pressure : 2 अप्रैल का इतिहास- उड़ान के दौरान विमान में हुआ सुराख, चार यात्री नीचे गिरे

during the flight on 2 april- four passengers fell on the plane due to air pressure : 2 अप्रैल का इतिहास- उड़ान के दौरान विमान में हुआ सुराख, चार यात्री नीचे गिरे
indiatimes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from indiatimes.com Daily Mail and Mail on Sunday newspapers.

Hyderabad: Guldasta musical night at Moazzam Jahi Market on March 7

Hyderabad: ‘Guldasta’ musical night at Moazzam Jahi Market on March 7 The event will feature Vibha Hegde, a young talented Hindustani classical vocalist along with Arnab Bhattacharya who will be performing on Sarod. Poorva Guru will present famous Sufi and Ghazals. By Sakina Fatima|   Updated: 5th March 2021 3:39 pm IST Surmandal, a city-based music organisation, to conduct Guldasta, a musical program at Moazzam Jahi Market. Photo: Twitter Hyderabad: Surmandal, a Cultural organization is presenting “GULDASTA” a musical night at the historic Moazzam Jahi market on March 7, from 6:30 pm. According to the principal secretary to government Aravind Kumar, the ‘Guldasta’ program is being organized to pay tribute to Late Mr.B.P. Singh, the Ex-director of VST Industries, Hyderabad who played a vital role in spreading art and culture throughout the country. He passed away last week in Delhi due to cancer.

SAMAA - This is the sound of Karachi s last Sarangi player

This is the sound of Karachi’s last Sarangi player Three generations of the Hoshiyarpuri Gharana SAMAA | Hamza Arif - Posted: Mar 2, 2021 | Last Updated: 4 weeks ago SAMAA | Hamza Arif Posted: Mar 2, 2021 | Last Updated: 4 weeks ago He is the fourth generations of the Hoshiyarpuri Gharana Above a dozen clanking Gizri mechanic workshops, the hiss and spit of carburetor cleaners, two students are laboriously practicing Taat Bilawal under the watchful ear of Gul Muhammad, one of Pakistan’s last two active professional Sarangi players. His students sit cross-legged, upright with ramrod backs on the floor of Gul’s small room. Their Sarangis rest lightly against their left shoulders, their elbows move to and fro as they struggle to synchronize their bow strokes. “Clean! Clean!” Gul urges them. It should be a clean sound. When one student skips into another beat, Gul teases him, “Stop turning somersaults…”

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