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Last modified on Mon 22 Feb 2021 18.14 EST
They say the best revenge is a life lived well, but Eddie Perfect has trumped that. The savage theatre critics were proved wrong when the Broadway musical he scored, Beetlejuice, became an outlier success story that had Variety and Forbes scratching their heads â and then he returned home to write a meta cabaret about it all.
In Introspective, which premieres at Melbourneâs Malthouse Theatre next week, Perfect takes us behind the scenes of Beetlejuice â based on Tim Burtonâs comedic 1988 film about a deranged poltergeist â and the 2013 musical King Kong, for which he wrote most of the songs. Not that Introspective will be a hatchet job; itâs just that being an alien in New York was an experience ripe for lifting the curtain.
Um… “Cats.” First of all, I never liked “Cats,” even after sneaking into the Winter Garden Theatre in 1981 after a matinee to look at the set. Until now, I’d
Hugh Jackman tore off his sweater and ran shirtless into the ocean for a freezing polar bear plunge on New Year s Day. The 52-year-old sex symbol could be heard whooping from the cold.