Besedilo: Urša Peternel Kategorija: Jesenice / sobota, 10. julij 2021 / 08:24
Jesenice – Tudi letošnja generacija dijakov Gimnazije Jesenice je opravila Nemško jezikovno diplomo I. (DSD I.) z odliko. To je bila že peta generacija, ki je opravljala omenjeni izpit, ki je v pristojnosti Stalne konference deželnih ministrov Zvezne republike Nemčije. Kot je povedala ravnateljica Gimnazije Jesenice Lidija Dornig, so edina šola, na kateri so izpit opravili prav vsi dijaki, v povprečju so zbrali 81,88 od možnih 96 točk, kar je dosežek, ki navdaja s ponosom. Najbolje sta se odrezala Matevž Toman, ki je dosegel 90 točk, in Tomaž Kusterle z 92 točkami. Mentorica odličnih dijakov je Milica Kos Tancar.
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At its meeting today, the Supervisory Board of Deutsche Lufthansa AG discussed the acceptance of the stabilization package offered by the Economic Stabilization Fund (WSF) of the Federal Republic of Germany, including the necessary convocation of a General Meeting.
The Supervisory Board has taken note of the conditions currently indicated by the EU Commission. They would lead to a weakening of the hub function at Lufthansa’s home airports in Frankfurt and Munich. The resulting economic impact on the company and on the planned repayment of the stabilization measures, as well as possible alternative scenarios, must be analyzed intensively.
Against this background, the Supervisory Board was unable to approve the stabilization package in connection with the EU conditions. However, the Supervisory Board continues to regard WSF stabilization measures as the only viable alternative for maintaining solvency.
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One in four people in Germany today have a so-called migration background, however, the relationship between theatre and migration there has only recently begun to take centre stage. Indeed, fifty years after large-scale Turkish labour migration to the Federal Republic of Germany began, theatre by Turkish-German artists is only now becoming a consistent feature of Germany’s influential state-funded theatrical landscape. Drawing on extensive archival and field work, this book asks where, when, why, and how plays engaging with the new realities of “postmigrant” Germany have been performed over the past 30 years. Focusing on plays by renowned artists Emine Sevgi Özdamar, and Feridun Zaimoglu/Günter Senkel, it asks which new realities have been scripted in the theatrical sphere in the process – in the imaginations of playwrights, readers, audience members; in the enactment and direction of scripts on stage; and in the performance of new institutional approaches and cultural po
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