Hitting a Straight Lick with a Crooked Stick is a collection of stories about love and migration, gender and class, racism and sexism that reflect African American folk culture. Brought together for the first time in one volume, the book includes eight of Hurston’s lost Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satirical humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.
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怎样让西方读者读懂红楼梦？白先勇、陈毓贤谈新书英文版《石头记逐回伴读》 | www wenxuecity com
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A literary historian, Hoogenboom was the Jesse Ball DuPont Fellow at the National Humanities Center and postdoctoral fellow in the Eurasia Program of the Social Sciences Research Council for her book, Noble Sentiments and the Rise of Russian Novels (University of Toronto Press, 2018), on the sentimental ideal of duty in noble culture and novels by men and women writers, most of whom were nobles. She is a resident associate 2017–18 at the National Humanities Center for her new project Noble Rot: Corruption, Civil Society, and Literary Elites in Russia. Co-editor of two collections of essays on Russian women writers, she has written numerous articles on women, including on sentimental novels, Pushkin and Sophie Cottin; Nadezhda Khvoshchinskaia; George Sand in Russia; bio-bibliographic compilations of women in Europe; and on Vera Figner and Russian populist revolutionary autobiographies. Her introduction (2017) to Sofia Khvoshchinskaia’s City Folk and Country Folk (1863) is th
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