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The Issues the Media Simply Cannot Report on Anymore Even If They Tried
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WHMI 93 5 Local News : OB/GYN Among Anti-Maskers To Address HPS Board
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Erika Dilday announced as the new Executive Director of American Documentary Inc.
Dilday, arriving from Futuro Media Group where she served as CEO, is first Black executive director of AmDoc / and executive producer of POV. Photo: Edward Wilkey.
NEW YORK, NY
.- Erika Dilday has been named the executive director of American Documentary Inc. and executive producer of its award-winning documentary series POV on PBS and America ReFramed on WORLD Channel, the board of directors announced today.
Dilday, who is the organizations first Black executive director, begins the job in May and joins AmDoc from Futuro Media Group where she has been the CEO since 2017. Prior to Futuro Media Group, Dilday was the executive director of the Maysles Documentary Center where she oversaw community cinema, filmmaking programs and produced Albert Maysles final film - the award-winning documentary In Transit.
Hallmark campaign features familiar faces Published by admin on Mon, 04/19/2021 - 8:24am Lauren Gaynor and her grandmother, Patricia, are featured on a nationwide multi-platform Hallmark campaign. [Submitted Photo]
By:
General Manager
Mexico residents may have recently done a double take when walking by the Hallmark display at Kate’s Hallmark Shop. And with good reason, because featured on one certain store display is a photo of Mexico natives Lauren (Miller) Gaynor and her grandmother, Patricia “Patty” Larkin Miller.
The two are part of Hallmark’s “Real Stories” campaign that was launched in January 2021. Featuring personal journeys of real-life Hallmark enthusiasts and consumers, Gaynor and Miller were a natural fit.
Meera: Nikki, let’s start at the end. Well, the end as in your new book,
News for the Rich, White and Blue. It touches on a key problem in journalism. As you say, large national, international outlets have pivoted to serving readers who can and will choose to pay for news, and therefore you end up skewing coverage towards the wealthy, White and liberal audience in the US, and a wealthy, White, possibly less liberal audience in the UK. Could you speak a bit more about the consequences of that?
Nikki: What I really worry about is you see essentially the news that’s most likely to survive is coming from these extremely large institutions and organisations that have global friends. And I think this is particularly the case when we look at what might be formally called a newspaper because I don’t think the
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